Holocaust Memory and Youth Performance

This book explores how children and youth plays and performances about the Holocaust from Germany, Israel, and the United States help cope with the legacy of historical tragedy. It examines a diverse range of performances, including plays, musicals, musicals, scripts, a rock concert, and pedagogically-focused works, and adopts Hannah Arendt's notion of natality to examine how they contribute to intergenerational witnessing and the collective memory of the Holocaust.

Format: Hardback
Length: 256 pages
Publication date: 22 February 2024
Publisher: Bloomsbury Publishing PLC

This book provides a fresh perspective on the crucial role of youth performance in grappling with the enduring legacy of historical tragedy by examining children's and youth plays and performances about the Holocaust from Germany, Israel, and the United States. As the first comprehensive critical exploration of this topic, Holocaust Memory and Youth Performance delves into plays created by prominent theatre companies alongside performances written by young authors and excerpts from the diaries and memoirs of individuals who underwent the Holocaust as children or adolescents. While youth-focused plays about the Holocaust have been featured in the repertoires of top professional companies worldwide for decades and continue to be performed in theatres, schools, and community centers, they often receive limited attention in focused and comparative studies of Holocaust theatre. To address this gap, Erika Hughes conducts a comprehensive examination of a diverse range of performances for young audiences, including plays such as The Diary of Anne Frank and Ab heure heißt Du Sara, musicals, performances, scripts, a rock concert, a performance on Instagram, and pedagogically-focused works of applied theatre. By adopting Hannah Arendt's notion of natality as a powerful framework, this study explores the ways in which youth-theatre performances make a vital contribution to intergenerational witnessing and the collective memory of the Holocaust.

Through an examination of childrens and youth plays and performances about the Holocaust from Germany,Israel,and the United States,this book offers an entirely new way of looking at the vital role of youth performance in coping with the legacy of historical tragedy.

As the first book-length critical examination of this subject, Holocaust Memory and Youth Performance considers plays that are produced by major theatre companies alongside performances written by young authors and pieces taken from the diaries and memoirs of those who experienced the Holocaust as children or adolescents.

While youth-focused plays about the Holocaust have been in the repertories of top professional companies throughout the world for decades and continue to be performed in theatres, schools, and community centers, they are often neglected in concentrated and comparative studies of Holocaust theatre.

Erika Hughes fills this gap by examining plays (including The Diary of Anne Frank and Ab heure heißt Du Sara ),musicals,performances,scripts,a rock concert,a performance on Instagram,and pedagogically-focused works of applied theatre – a diverse collection of performances for young audiences that tell the stories of young people who experienced the Holocaust.

Adopting Hannah Arendts notion of natality as a powerful framework,this study examines the ways in which youth-theatre performances make a vital contribution to intergenerational witnessing and the collective memory of the Holocaust.

Dimension: 216 x 138 (mm)
ISBN-13: 9781350263338