Horror and Philosophy: Essays on Their Intersection in Film, Television and Literature

Horror and philosophy have a long-standing relationship, with horror literature, cinema, comic books, and television exposing audiences to an alien reality and challenging known concepts. This edited collection investigates the intersections of horror and philosophical thinking across media, including literature, cinema, and television, exploring topics such as the cinema of David Lynch, the relationships between Jorge Luis Borges and H. P. Lovecraft, horror authors Blake Crouch and Paul Tremblay, Indian film, the television series Atlanta, and the horror comic book Dylan Dog. Philosophers discussed include Julia Kristeva, George Berkeley, Michel Foucault, and the Cybernetic Culture Research Unit, exploring connections between nightmare allegories, postmodern fragmentation, the ahuman sublime, and much more.

Format: Paperback / softback
Length: 277 pages
Publication date: 30 November 2023
Publisher: McFarland & Co Inc

Horror, a timeless and captivating genre, has always held a profound connection with philosophy. Whether through literature, cinema, comic books, or television, horror serves as a gateway to an otherworldly realm, tantalizing our minds and pushing the boundaries of our understanding. By delving into the realm of the unknown, horror literature, cinema, and television challenge our preconceived notions of normality, reality, family, and animals. It blurs the lines between what is familiar and unfamiliar, creating a sense of unease and discomfort. At the same time, philosophy and horror reciprocally influence each other, fostering a symbiotic relationship that deepens our comprehension of the human condition.

This edited collection delves into the intricate intersections of horror and philosophical thought, exploring a wide range of media, including literature, cinema, and television. The chapters in this collection examine the works of renowned filmmakers such as David Lynch, who has left an indelible mark on the horror genre with films like "Scream" and "Alien: Resurrection." They also explore the fascinating relationships between literary giants like Jorge Luis Borges and H. P. Lovecraft, as well as the contributions of contemporary horror authors such as Blake Crouch and Paul Tremblay. The exploration extends to the realm of Indian cinema, where horror has taken on unique cultural and societal dimensions. Additionally, the collection analyzes the television series "Atlanta," a critically acclaimed work that blends elements of horror, comedy, and social commentary, and the horror comic book "Dylan Dog," which has captivated readers with its dark and thrilling narratives.

The philosophical perspectives explored in this collection are diverse and thought-provoking. Philosophers such as Julia Kristeva, George Berkeley, Michel Foucault, and the Cybernetic Culture Research Unit contribute their insights to the examination of horror's themes and motifs. These philosophers draw upon a range of philosophical frameworks, including posthumanism, Afro-Pessimism, and others, to unravel the complex connections between nightmare allegories, postmodern fragmentation, the ahuman sublime, and much more. Through their analytical lens, the authors shed light on the philosophical implications of horror, challenging our assumptions and prompting us to reevaluate our understanding of the world.

In conclusion, horror, with its ability to evoke fear and fascination, has always retained a profound influence on philosophical thinking. This edited collection serves as a testament to the rich and complex relationship between horror and philosophy, offering a comprehensive exploration of the intersections between these two genres across various media. By delving into the horror's capacity to challenge our perceptions, provoke our thoughts, and expand our horizons, this collection provides a valuable contribution to the field of horror studies and philosophy alike.

Weight: 272g
Dimension: 229 x 152 (mm)
ISBN-13: 9781476687605