Hybridity in Early Modern Art

The collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time, engaging with the implications of the juxtaposition of disparate media, the meaning of an object alters over time, and the conspicuous use of out-of-date styles.

Format: Paperback / softback
Length: 178 pages
Publication date: 25 September 2023
Publisher: Taylor & Francis Ltd

This captivating collection of essays delves into the realm of hybridity in early modern art, employing two primary lenses: hybrid media and hybrid time. The diverse approaches showcased within the volume reflect the growing prominence of interdisciplinary frameworks in art historical scholarship, expanding the boundaries of art historical inquiry beyond singular temporal or material contexts. The essays engage in thoughtful exploration of what transpires when an object is perceived as transcending its point of origin or as a legendary repository of information, the consequences of juxtaposing disparate media, the evolution of an object's meaning over time, and the profound implications of the conspicuous use of outdated styles for patrons, artists, and viewers alike. These essays examine both canonical and lesser-known works created by European artists during the vibrant period of ca. 1400–1600 in Italy, northern Europe, and colonial Peru.

The book holds immense appeal for art historians, visual culture historians, and scholars of early modern history, offering a rich tapestry of insights and perspectives. Its multidisciplinary approach fosters a deeper understanding of the complexities and interconnectedness of artistic practices during this transformative era. By examining the interplay between hybrid media and hybrid time, this volume contributes to our collective knowledge of early modern art and its enduring impact on the world of art.

Weight: 453g
Dimension: 254 x 178 (mm)
ISBN-13: 9781032060439