HaiyanXie
Ideology and Form in Yan Lianke's Fiction: Mythorealism as Method
Ideology and Form in Yan Lianke's Fiction: Mythorealism as Method
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- More about Ideology and Form in Yan Lianke's Fiction: Mythorealism as Method
Xie analyzes three novels by Yan Lianke to investigate how his signature "mythorealist" form produces textual meanings that subvert literary realism's totalizing reality. The term "mythorealism" refers to a set of literary devices that incorporate Chinese and Western elements while remaining grounded in Chinese folk culture. Xie identifies three modes of mythorealist narrative: the minjian (folk) mode, the allusive mode, and the enigmatic mode. By positioning itself against an ambiguous articulation of social determinants, each mode moves its narrative from the overt politicality of the subject matter to the existential riddle of negotiating an alternative reality.
Format: Hardback
Length: 152 pages
Publication date: 10 February 2023
Publisher: Taylor & Francis Ltd
Xie delves into the intricate world of three novels by the internationally acclaimed Chinese writer Yan Lianke, exploring the profound ways in which his signature "mythorealist" form generates textual meanings that challenge the overarching reality prescribed by literary realism. The term "mythorealism," which Yan himself coined to encapsulate his unique writing style, represents a fusion of Chinese and Western literary elements, while remaining deeply rooted in Chinese folk culture and literary tradition. Through his skillful deployment of mythorealism, Yan carries a weighty social critique that cannot be confined to mere political commentary. Instead, he transcends the temporality and provinciality of immediate social events, transforming his potential socio-political commentaries into broader concerns for humanity, existential dilemmas, and spiritual crises.
Xie identifies three distinct modes of mythorealist narrative that manifest in Yan's three novels. The first mode, known as the "minjian" (folk) mode, is evident in Dream of Ding Village. Here, Yan employs a narrative style that draws upon traditional Chinese folk tales and legends, creating a vivid and immersive world that resonates with the audience's cultural heritage. The second mode, characterized by allusive references and symbolic imagery, is showcased in Ballad, Hymn, Ode, and The Four Books. In these works, Yan employs a more abstract and poetic language, allowing his readers to interpret and decipher the deeper meanings hidden within the text. The third mode, known as the enigmatic mode, is exemplified in The Four Books. Here, Yan employs a more fragmented and nonlinear narrative structure, challenging the reader to piece together the various threads of the story and unravel the mysteries that lie at its core.
By positioning itself against an ambiguous articulation of social determinants of historical events, each mode of mythorealism moves its narrative from the overt politicality of the subject matter to the existential riddle of negotiating an alternative reality. This shift in focus allows Yan to explore the complexities of human existence, the nature of truth, and the search for meaning in a world that often feels overwhelming and uncertain.
A groundbreaking study of one of contemporary China's most important authors, Xie's work will be of immense value to scholars and students of Chinese literature. Through his meticulous analysis and insightful interpretations, Xie provides a deep understanding of Yan's literary genius and his contribution to the world of literature. This study not only sheds light on the rich cultural heritage of China but also offers valuable insights into the ongoing struggle between realism and myth in the realm of contemporary writing.
Weight: 356g
Dimension: 161 x 241 x 17 (mm)
ISBN-13: 9781032391748
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