Instruments of Embodiment: Costuming in Contemporary Dance

Instruments of Embodiment explores the relationship between contemporary dance costuming and fashion theory,embodiment philosophy,and artistic practice through close analysis of acclaimed works and interviews with costume designers. It discusses the historical evolution of contemporary dance costuming,Merce Cunningham's innovative collaborations,and the role of costumes in dance reconstruction. An anarchist materialism is articulated that views artistic collaboration as egalitarian and believes that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body.

Format: Hardback
Length: 180 pages
Publication date: 16 December 2022
Publisher: Taylor & Francis Ltd

Instruments of Embodiment is a groundbreaking exploration of contemporary dance costuming that delves into the intricate relationship between fashion theory and the philosophy of embodiment. Through a meticulous analysis of acclaimed works by contemporary choreographers, insightful interviews with costume designers, and engaging practice-as-research, the book weaves together philosophical theory and artistic practice to provide a comprehensive understanding of the art form.

The book explores a range of topics, including the historical evolution of contemporary dance costuming, the innovative collaborations between Merce Cunningham and Robert Rauschenberg, and the stunning costumes used in Ohad Naharin's Virus (2001) and in a groundbreaking Butoh solo by Tatsumi Hijikata. It also delves into the complex relationship between dance costuming and high fashion, wearable computing, and the role that costumes play in dance reconstruction.

One of the key themes of Instruments of Embodiment is an anarchist materialism that takes an egalitarian view of artistic collaboration and advocates for the facilitation of new forms of embodied experience and ways of seeing the body. The book argues that experimental costume designs can unlock new dimensions of creativity and expression, challenging traditional notions of what it means to be dressed and to perform.

Instruments of Embodiment is an essential resource for students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory. It offers a wealth of insights and perspectives that will deepen their understanding of the complex and multifaceted world of contemporary dance costuming. With its interdisciplinary approach, the book provides a valuable contribution to the field and is sure to inspire and engage readers for years to come.

Weight: 408g
Dimension: 162 x 242 x 18 (mm)
ISBN-13: 9780367644819