Interior Decorating in Nineteenth-Century France: The Visual Culture of a New Profession

This book explores how new forms of print media in nineteenth-century France were used to sell the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. It establishes crucial links between art history, material and visual culture, and design history.

\n Format: Paperback / softback
\n Length: 288 pages
\n Publication date: 11 December 2020
\n Publisher: Manchester University Press
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This captivating book delves into the origins of the interior design profession in nineteenth-century France, offering a rich tapestry of visual sources that encompass a wide range of materials, from collecting and advice manuals to pattern books and department store catalogues. Through meticulous analysis, it vividly showcases how these new forms of print media were instrumental in promoting the concept of the unified interior as a holistic work of art, thereby giving rise to the profession of interior designer. By closely examining the interplay between the trades and the artistic and public visual appeal of their work, Interior decorating in nineteenth-century France establishes vital connections between the fields of art history, material and visual culture, and design history.

The book opens by exploring the emergence of interior design as a distinct profession in nineteenth-century France, a time when the concept of interior decoration was gaining popularity. It sheds light on the early pioneers of the field, such as Jean-Louis Millet and Charles-Louis Durand, who played significant roles in shaping the aesthetic and practical aspects of interior design.

One of the key themes of the book is the role of print media in shaping the perception and promotion of interior design. It highlights how these media outlets played a crucial role in disseminating ideas, trends, and designs to a wider audience, enabling individuals to access information and inspiration for their homes and spaces. The book discusses the various print materials that were used, including magazines, newspapers, and books, and how they were utilized to showcase the latest styles, designs, and materials.

Furthermore, Interior decorating in nineteenth-century France explores the relationship between the trades and the artistic and public visual appeal of their work. It demonstrates how the tradesmen, such as carpenters, upholsterers, and decorators, worked closely with interior designers to create spaces that were both functional and aesthetically pleasing. The book highlights the importance of craftsmanship and attention to detail in creating spaces that were both visually appealing and comfortable to inhabit.

The book also delves into the social and cultural implications of interior design in nineteenth-century France. It explores how interior design was used to express and reflect the values and aspirations of different social classes, as well as the changing attitudes towards gender, class, and consumerism. The book discusses the role of interior design in shaping the identity and reputation of individuals and families, as well as the impact of interior design on public spaces such as hotels, restaurants, and theaters.

In conclusion, Interior decorating in nineteenth-century France is a comprehensive and insightful exploration of the origins and development of the interior design profession in nineteenth-century France. Through a wealth of visual sources and meticulous analysis, the book offers a rich understanding of the role of print media in shaping the perception and promotion of interior design, the relationship between the trades and the artistic and public visual appeal of their work, and the social and cultural implications of interior design in nineteenth-century France. This book is a valuable resource for scholars, students, and anyone interested in the history of design, architecture, and the decorative arts.

\n Weight: 548g\n
Dimension: 170 x 241 x 25 (mm)\n
ISBN-13: 9781526151582\n \n