Ireland and Cinema: Culture and Contexts

The book explores academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen.

Format: Paperback / softback
Length: 216 pages
Publication date: 14 February 2018
Publisher: Palgrave Macmillan

The book provides a comprehensive exploration of contemporary and historical Irish filmmaking, delving into diverse academic perspectives on themes of nationality, national identity, and the construction of Ireland and Irishness on the screen. It offers a rich tapestry of approaches, drawing from various disciplines such as film studies, cultural studies, history, and literature.

Through its extensive analysis, the volume sheds light on the complex interplay between cinema and society, examining how films shape and reflect cultural values, ideologies, and social identities. It explores the ways in which Irish filmmakers have navigated the challenges and complexities of representing their country and its people on the global stage, while also engaging with broader theoretical questions about the role of cinema in constructing national narratives and identities.

The book's chapters are organized into thematic sections, each dedicated to exploring specific aspects of Irish filmmaking and its relationship to national identity. These sections cover a wide range of topics, including historical representations, the role of women in Irish cinema, the impact of globalization, and the representation of marginalized communities. Each chapter is authored by leading scholars and experts in the field, ensuring a high level of academic rigor and depth.

In addition to its scholarly contributions, the book also serves as a valuable resource for students, researchers, and enthusiasts of Irish cinema. It provides a comprehensive bibliography of primary and secondary sources, as well as an insightful introduction that provides a historical and theoretical framework for understanding Irish filmmaking.

Overall, The Volume on Irish Filmmaking and National Identity offers a vital contribution to the field of film studies, providing a comprehensive and interdisciplinary perspective on the rich and complex history of Irish cinema. It is a must-read for anyone interested in exploring the intersection of culture, identity, and the moving image, and will undoubtedly inspire further research and discussion in the years to come.

The book provides a comprehensive exploration of contemporary and historical Irish filmmaking, delving into diverse academic perspectives on themes of nationality, national identity, and the construction of Ireland and Irishness on the screen. It offers a rich tapestry of approaches, drawing from various disciplines such as film studies, cultural studies, history, and literature.

Through its extensive analysis, the volume sheds light on the complex interplay between cinema and society, examining how films shape and reflect cultural values, ideologies, and social identities. It explores the ways in which Irish filmmakers have navigated the challenges and complexities of representing their country and its people on the global stage, while also engaging with broader theoretical questions about the role of cinema in constructing national narratives and identities.

The book's chapters are organized into thematic sections, each dedicated to exploring specific aspects of Irish filmmaking and its relationship to national identity. These sections cover a wide range of topics, including historical representations, the role of women in Irish cinema, the impact of globalization, and the representation of marginalized communities. Each chapter is authored by leading scholars and experts in the field, ensuring a high level of academic rigor and depth.

In addition to its scholarly contributions, the book also serves as a valuable resource for students, researchers, and enthusiasts of Irish cinema. It provides a comprehensive bibliography of primary and secondary sources, as well as an insightful introduction that provides a historical and theoretical framework for understanding Irish filmmaking.

Overall, The Volume on Irish Filmmaking and National Identity offers a vital contribution to the field of film studies, providing a comprehensive and interdisciplinary perspective on the rich and complex history of Irish cinema. It is a must-read for anyone interested in exploring the intersection of culture, identity, and the moving image, and will undoubtedly inspire further research and discussion in the years to come.

Weight: 342g
Dimension: 139 x 215 x 20 (mm)
ISBN-13: 9781349564101
Edition number: 1st ed. 2015