It's a Drag: Cross-Dressing in Performance

Cross-dressing or cross-gender performances are examples of this, with Dustin Hoffman in Tootsie, Vesta Tilley as Burlington Bertie, Maxine Peake as Hamlet, and Drag Queen RuPaul outrageously fronting the RuPaul Drag Race. Cross-Dressing in Performance explores the different ways performers cross-dress to tell stories, amuse, create memorable alter-egos, rebel, or call attention to social and political issues. It examines cross-dressing in the Western canon, including Boys in Shakespeare, Heroes in Opera, Pantomime Dames, and Drag Queens. It also discusses the present and attempts to predict the future of cross-dressing in performance, such as the drive towards equality, gender-blind roles, and color-blind casting.

Format: Paperback / softback
Length: 262 pages
Publication date: 15 September 2022
Publisher: Globe Pequot Press

Cross-dressing or cross-gender performances have been a captivating aspect of the performing arts, with numerous examples showcasing the versatility and creativity of actors. Some notable examples include Dustin Hoffman's iconic portrayal of Dorothy Michaels in Tootsie, Vesta Tilley's remarkable transformation into Burlington Bertie, Maxine Peake's powerful interpretation of Hamlet, and Drag Queen RuPaul's outrageous fronting of the RuPaul Drag Race. Cross-Dressing in Performance delves into the diverse ways performers embrace cross-dressing, exploring the motivations behind these performances. Janet Tennant, the author, examines the memorable individuals who have adopted the characters and dress of others, whether it be to tell stories, amuse audiences, create memorable alter-egos, rebel against societal norms, raise awareness about social and political issues, or simply for practical reasons.

Tennant's study spans different periods of theatrical history in the Western canon, primarily focusing on Britain and North America. Rather than following a conventional historical timeline, she delves into the various types of cross-dressing/cross-gender performances, including Boys in Shakespeare, Heroes in Opera, Pantomime Dames, and Drag Queens. It is essential to acknowledge the origins of cross-dressing in Ancient Greece, as it played a significant role in shaping the art form.

In It's a Drag: Cross-Dressing in Performance, the author discusses the current state of cross-dressing in performance and makes predictions about its future. She explores how the pursuit of equality will impact the use of cross-dressing and cross-gender role casting. Will gender-blind roles become as prevalent as color-blind casting? Will audiences continue to be entertained and impressed by cross-dressing performances, or will gender differences in entertainment cease to be significant?

These thought-provoking questions highlight the ongoing debate surrounding cross-dressing in performance and its potential impact on the arts. Cross-dressing has the power to challenge societal norms, break down barriers, and promote inclusivity. It allows performers to explore different aspects of identity and challenge traditional gender roles. Through their performances, cross-dressers can inspire, educate, and entertain audiences, fostering a deeper understanding of diversity and human experiences.

As the performing arts continue to evolve, it will be fascinating to see how cross-dressing and cross-gender performances continue to shape and redefine the landscape. Whether it be in theater, film, television, or any other form of entertainment, cross-dressing remains a testament to the creativity and resilience of performers who embrace their unique identities and push the boundaries of what is possible on stage.

Weight: 384g
Dimension: 153 x 228 x 25 (mm)
ISBN-13: 9781493059058