Soyoung Kim
Korean Cinema in Global Contexts: Post-Colonial Phantom, Blockbuster and Trans-Cinema
Korean Cinema in Global Contexts: Post-Colonial Phantom, Blockbuster and Trans-Cinema
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- More about Korean Cinema in Global Contexts: Post-Colonial Phantom, Blockbuster and Trans-Cinema
Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema provides a comprehensive analysis of Korean cinema from its early history to the present, mobilizing critical frameworks of feminism, postcolonial critique, and comparative film studies to explore its local, Inter-Asian, and transnational contexts.
Format: Hardback
Length: 212 pages
Publication date: 16 June 2022
Publisher: Amsterdam University Press
Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster, and Trans-Cinema is a comprehensive exploration of Korean cinema, spanning its early history to the present. This book delves into the films of renowned directors such as Park Chan-wook, Bong Joon-ho, and Kim Ki-young, while situating itself within the local, inter-Asian, and transnational contexts. By employing critical frameworks of feminism, postcolonial critique, and comparative film studies, it offers a rich analysis of Korean cinema.
The book pays close attention to the intricate entanglement of cinematic, aesthetic, political, and cultural history in Korea. It explores how Korean cinema has responded to historical events, social movements, and cultural transformations, while also engaging with global cinematic trends and influences.
One of the key themes of the book is the postcolonial phantom, which refers to the lingering effects of colonialism and imperialism on Korean society and culture. The book examines how Korean cinema has used imagery, narrative, and symbolism to address these issues and challenge the dominant narratives of power and oppression.
Another theme is the blockbuster, which refers to the commercialization and globalization of Korean cinema. The book explores how Korean filmmakers have navigated the challenges and opportunities presented by the global film industry, while also maintaining their unique artistic vision and cultural identity.
The book also discusses the phenomenon of trans-cinema, which refers to the cross-border exchange and collaboration of filmmakers and films across different cultural and geographical boundaries. The book examines how Korean cinema has engaged with other Asian and global cinemas, and how it has contributed to the development of a more diverse and interconnected global film culture.
Throughout the book, the authors use a range of analytical approaches, including close readings of film texts, cultural studies, and theoretical frameworks. They draw on a wide range of sources, including scholarly research, interviews with filmmakers, and critical essays, to provide a comprehensive and nuanced understanding of Korean cinema in global contexts.
Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster, and Trans-Cinema is an essential resource for students, scholars, and anyone interested in exploring the rich and complex history of Korean cinema. It offers a comprehensive analysis of Korean cinema's local, inter-Asian, and transnational contexts, while also engaging with global cinematic trends and influences. By mobilizing critical frameworks of feminism, postcolonial critique, and comparative film studies, the book provides a valuable contribution to the field of film studies and beyond.
Weight: 472g
Dimension: 161 x 241 x 18 (mm)
ISBN-13: 9789463729147
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