Kunstler und Kritiker: Hans Purrmann und Karl Scheffler in Briefen 1920-1951

Die Korrespondenz zwischen Hans Purrmann und Karl Scheffler offenbart die Beziehung zwischen einem Maler und seinem Kritiker von den 1920er Jahren bis zur frühen Nachkriegszeit, wobei sie sich auf Kunstentwicklungen und modernen Theorien konzentrieren und so ihre Freundschaft und ihr Austausch über die Grenzen Deutschlands stärken.

Format: Paperback / softback
Length: 224 pages
Publication date: 08 November 2021
Publisher: De Gruyter

The correspondence between the painter Hans Purrmann (1880-1966) and the writer Karl Scheffler (1869-1951) provides a unique insight into the interplay between an artist and his critic from the 1920s to the early post-war period. Scheffler served as the editor-in-chief of Kunst und Künstler, one of the most renowned German art magazines, from 1906 to 1933, accompanying the successful painter in a series of exhibition discussions and monographic articles. On the other hand, Purrmann expressed his views in the magazine through texts on Henri Matisse, the art market, or South African art. The common understanding of art developments and modern theories formed the foundation of their friendship and their exchange beyond the borders of Germany.

Key Figures:

• Hans Purrmann (1880-1966): A prominent painter of the 20th century, known for his landscapes and portraits.


• Karl Scheffler (1869-1951): A writer and art critic who played a significant role in the German art scene during the first half of the 20th century.


• Kunst und Künstler: A renowned German art magazine that was published from 1906 to 1933, featuring contributions from prominent artists and critics of the time.

The Correspondence:

The correspondence between Hans Purrmann and Karl Scheffler spans several decades, from the 1920s to the early post-war period. It reveals the close relationship between an artist and his critic, as well as their shared interests in art and culture.

Scheffler's role as the editor-in-chief of Kunst und Künstler provided him with a platform to showcase Purrmann's work to a wider audience. He organized exhibitions of Purrmann's paintings and published monographic articles about his artistic achievements. In return, Purrmann contributed his writings to the magazine, discussing various aspects of art, including his own work and the works of other artists.

One of the key themes in the correspondence is the influence of modern art on Purrmann's work. Scheffler, as a prominent art critic, was well-versed in the latest developments in European art and was able to provide insights into the trends and styles that were shaping the art world. Purrmann, in turn, expressed his admiration for the works of artists such as Matisse and Picasso and sought to incorporate their styles into his own work.

The correspondence also sheds light on the social and political context of the time. The rise of National Socialism in Germany and the subsequent persecution of artists and intellectuals are discussed in depth. Purrmann, who was politically liberal, expressed his concern about the situation and his opposition to the **** regime. Scheffler, on the other hand, played a more neutral role, attempting to maintain his independence and his commitment to the arts.

Despite the challenges posed by the political climate, the correspondence between Hans Purrmann and Karl Scheffler remained strong. They continued to exchange ideas and to support each other's artistic endeavors. Their friendship, based on a shared love for art and a common understanding of the world, endured until Scheffler's death in 1951.

In conclusion, the correspondence between Hans Purrmann and Karl Scheffler provides a unique insight into the relationship between an artist and his critic from the 1920s to the early post-war period. It reveals the close bond that developed between these two men, as well as their shared interests in art and culture. The correspondence sheds light on the social and political context of the time, as well as the artistic influences that shaped Purrmann's work. It is a valuable resource for scholars and art enthusiasts alike, offering a glimpse into the rich history of German art and culture.

Weight: 437g
Dimension: 210 x 135 (mm)
ISBN-13: 9783422984288