Late Medieval Italian Art and its Contexts: Essays in Honour of Professor Joanna Cannon

Joanna Cannon's former students have compiled an essay collection in honor of her work, which explores thirteenth- and fourteenth-century Italian art. The book focuses on Italian art, history, and material culture, spanning the thirteenth to the fifteenth centuries. It addresses key themes such as artistic patronage, sainthood and sanctity, the visual culture of the mendicant orders, devotional practice, and civic religion. The essays offer fresh perspectives on familiar material and illuminate lesser-known objects and images, making an important contribution to the study of Early Italian art.

Format: Hardback
Length: 414 pages
Publication date: 29 November 2022
Publisher: Boydell & Brewer Ltd

Joanna Cannon's remarkable scholarship and teaching have left an indelible mark on the field of historical study of thirteenth- and fourteenth-century Italian art. To honor her remarkable contributions, a collection of essays by her former students has been assembled in this volume. The essays in this book are written by individuals who have pursued their doctoral studies under the guidance of Cannon, showcasing the profound impact of her mentorship.

The scope of Cannon's interests and expertise is evident in the diverse range of subjects covered in this collection. The book spans the thirteenth to the fifteenth centuries, focusing on Italian art, history, and material culture. Within this broad framework, the individual essays delve into an impressive array of topics, encompassing various media such as panel painting, wall painting, architecture, sculpture, metalwork, manuscripts, and gilded glass. These essays explore key themes within the field, including artistic patronage, sainthood and sanctity, the visual culture of mendicant orders, devotional practices, and civic religion.

What sets this collection apart is its ability to offer fresh perspectives on familiar material while also shedding light on lesser-known objects and images. Some essays provide new insights into well-known masterpieces, such as Ambrogio Lorenzetti's Saint Nicholas panels or the frescoes in Siena's Palazzo Pubblico. Meanwhile, others introduce readers to lesser-known treasures, such as the central panel of the Santa Chiara triptych in Trieste or the statue of Saint Francis in San Francesco in Siena.

As a whole, this collection makes a significant contribution to the study of Early Italian art. It seeks to echo the extraordinary impact of Joanna Cannon's own work in this field, further enriching our understanding and appreciation of the rich artistic heritage of thirteenth- and fourteenth-century Italy.

Dimension: 240 x 170 (mm)
ISBN-13: 9781783270903