Law and Opera

This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary resource on the subject. It approaches the topic from three perspectives in three main sections and makes a valuable contribution to studies on law and the humanities.

\n Format: Hardback
\n Length: 401 pages
\n Publication date: 06 February 2018
\n Publisher: Springer International Publishing AG
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This captivating book delves into the intricate web of connections between law and opera, offering a comprehensive, multinational, and multidisciplinary (drawing from jurists, philosophers, musicologists, and historians) exploration of the subject matter. Moreover, it makes a significant contribution to the field of law and the humanities. While the relationship between law and literature has received extensive scholarly attention, the relationship between law and opera remains relatively underappreciated. The book adopts a multifaceted approach, examining the topic from three distinct perspectives across three main sections: Law in Opera, Law on Opera, and Law around Opera.

Law in Opera delves into the ways in which legal principles and concepts are incorporated into the narratives and themes of opera. It explores the historical and cultural contexts in which opera has been used as a platform for legal discourse, as well as the ways in which opera composers and librettists have interpreted and portrayed legal issues. The book also examines the legal implications of opera production, including issues such as copyright, intellectual property, and censorship.

Law on Opera explores the legal aspects of opera performance and production. It examines the contracts and agreements that are involved in creating and staging an opera, as well as the legal rights and responsibilities of performers, conductors, and stage managers. The book also discusses the legal issues that arise in the context of opera licensing, including the negotiation of rights and royalties.

Law around Opera examines the broader legal and cultural implications of opera. It explores the ways in which opera has influenced legal systems and legal philosophy, as well as the ways in which legal issues have been portrayed and interpreted in opera. The book also examines the role of law in the promotion and preservation of opera, including issues such as copyright law, cultural heritage law, and intellectual property law.

In conclusion, this book offers a rich and multifaceted exploration of the connections between law and opera. By examining the topic from three distinct perspectives, it provides a comprehensive resource for scholars, students, and enthusiasts alike. The book's multidisciplinary approach ensures that a wide range of perspectives are considered, making it an invaluable contribution to the field of law and the humanities.

\n Weight: 732g\n
Dimension: 241 x 165 x 30 (mm)\n
ISBN-13: 9783319686486\n
Edition number: 1st ed. 2018\n