Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus

The journal "bauhaus. sprachrohr der studierenden. organ der kostufra" was a platform for critical analysis of Bauhaus events, curricula, and teachers, highlighting its political radicalism and experimental value. A new book by researchers from art, cultural studies, architecture, and editorial studies provides the first detailed reappraisal of communism in Bauhaus.

Format: Paperback / softback
Length: 224 pages
Publication date: 07 November 2022
Publisher: Birkhauser

The Bauhaus was a German art school that operated from 1919 to 1933 and was known for its innovative and experimental approach to design. It was founded by Walter Gropius and was located in Dessau, Germany. The school was closed down by the ***** in 1933 due to its leftist political ideology. However, the Bauhaus has since been re-established and is now a world-renowned institution.
The topic of far-left currents within the Bauhaus has been a subject of controversy for a long time. However, recent research on the Communist Student Fraction (Kostufra) has shed light on these leftist students. Their magazine, "bauhaus. sprachrohr der studierenden. organ der kostufra," was a platform for uncompromising critique of events, curricula, and teachers. Published between 1930 and 1932 in Dessau and Berlin in 15 hectographed issues in a loose-leaf collection, this journal has now been critically discussed for the first time by researchers from art and cultural studies, architecture, and editorial studies. It clearly demonstrates that the experimental value of Bauhaus cannot be separated from its political radicalism.

The Bauhaus was a German art school that operated from 1919 to 1933 and was known for its innovative and experimental approach to design. Founded by Walter Gropius, the school was located in Dessau, Germany. The school was closed down by the ***** in 1933 due to its leftist political ideology. However, the Bauhaus has since been re-established and is now a world-renowned institution.

A first detailed reappraisal of communism in the Bauhaus has been published by researchers from various fields. The book, titled "The Bauhaus and Communism," includes contributions by Peter Bernhard, Marcel Bois, Magdalena Droste, Elizabeth Otto, Patrick Rössler, and others. The book explores the relationship between the Bauhaus and communism, and how the school's experimental approach to design was influenced by communist ideology.

The Bauhaus was founded in 1919 by Walter Gropius, who was a prominent figure in the German art scene. The school was located in Dessau, Germany, and was known for its innovative and experimental approach to design. The Bauhaus was closed down by the ***** in 1933 due to its leftist political ideology. However, the Bauhaus has since been re-established and is now a world-renowned institution.

The Bauhaus was a school that was dedicated to the idea of creating a new and better society through design. The school's curriculum was designed to teach students about the principles of design, and to encourage them to develop their own creative ideas. The school's approach to design was based on the idea of functionalism, which emphasized the importance of designing objects that were both useful and aesthetically pleasing.

The Bauhaus was also a school that was committed to social and political activism. The school's students were involved in a variety of political and social movements, including the Communist Party and the Workers' International Relief. The school's magazine, "bauhaus. sprachrohr der studierenden. organ der kostufra," was a platform for these students to express their political views and to critique the school's curriculum and teachers.

The magazine was published between 1930 and 1932 in Dessau and Berlin in 15 hectographed issues in a loose-leaf collection. The magazine was edited by a group of students who were members of the Communist Student Fraction. The magazine was a critical and often controversial publication, and it was often censored by the **** government.

The magazine's content was diverse, and it covered a wide range of topics, including art, architecture, politics, and social issues. The magazine's editors were committed to promoting a socialist and communist ideology, and they used the magazine to criticize the capitalist system and the bourgeoisie.

One of the most significant contributions of the magazine was its critique of the Bauhaus's curriculum. The magazine argued that the school's curriculum was too focused on the production of objects and that it did not adequately address the social and political issues of the day. The magazine also criticized the school's teachers, arguing that they were too conservative and that they did not encourage their students to develop their own creative ideas.

Despite the magazine's criticism, the Bauhaus continued to be a significant influence on the world of design. The school's approach to design was widely adopted by other schools and designers, and it has had a lasting impact on the way that we think about design. The school's legacy is also reflected in the many buildings and designs that it has created, including the Bauhaus building in Dessau, the Bauhaus Museum in Berlin, and the Bauhaus-style buildings that can be found throughout the world.

In conclusion, the topic of far-left currents within the Bauhaus has been a subject of controversy for a long time. However, recent research on the Communist Student Fraction has shed light on these leftist students and their magazine, "bauhaus. sprachrohr der studierenden. organ der kostufra." The magazine was a critical and often controversial publication that demonstrated that the experimental value of Bauhaus cannot be separated from its political radicalism. The Bauhaus was a German art school that operated from 1919 to 1933 and was known for its innovative and experimental approach to design. The school was closed down by the ***** in 1933 due to its leftist political ideology, but it has since been re-established and is now a world-renowned institution. The Bauhaus was a school that was committed to social and political activism, and its magazine, "bauhaus. sprachrohr der studierenden. organ der kostufra," was a platform for these students to express their political views and to critique the school's curriculum and teachers. Despite the magazine's criticism, the Bauhaus continued to be a significant influence on the world of design, and its legacy is reflected in the many buildings and designs that it has created.

Weight: 425g
Dimension: 190 x 140 (mm)
ISBN-13: 9783035624885