Malevich and Interwar Modernism: Russian Art and the International of the Square

The book explores the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif, the square. It originated from Russian artist Kazimir Malevich and was picked up by El Lissitzky and Theo van Doesburg. It was understood as a symbol of a new internationalism and modernity, and the book argues that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation.

Format: Paperback / softback
Length: 304 pages
Publication date: 27 July 2023
Publisher: Bloomsbury Publishing PLC

This captivating book delves into the profound legacy of international interwar modernism, exploring its cultural transmission through the travels of a central motif: the square. The square, a ubiquitous symbol of the international avant-garde during the interwar years, emerged as a powerful force in the artistic landscape. Its origins can be traced back to the visionary Russian artist Kazimir Malevich, who painted "The Black Square on White Ground" in 1915. This seminal work would later be embraced by another Russian artist, El Lissitzky, as well as the Dutch artist Theo van Doesburg. The square, with its distinctive geometric shape, came to symbolize a new era of internationalism and modernity. While Forgács incorporates the square into her overarching narrative, her focus lies in tracing its journey across borders, unraveling its significance, and examining how it was employed by these influential artists. Through meticulous research and fresh interpretations of previously unseen documents, Forgács compellingly argues that the interwar developments marked a pivotal moment in twentieth-century art, fostering immense creativity and innovation.

In her quest to unravel the complexities of this artistic legacy, Forgács uncovers the profound influence of three major agents: Malevich, Lissitzky, and van Doesburg. These artists, each in their unique way, contributed to shaping the square's meaning and impact. Malevich's visionary approach, with his emphasis on pure form and abstraction, laid the foundation for the square's symbolic significance. Lissitzky, with his dynamic and vibrant use of the square, brought a new dimension to its visual language, imbuing it with a sense of movement and dynamism. van Doesburg, with his precise and intricate compositions, further refined the square's geometric structure, emphasizing its architectural qualities.

By expanding the scope of modernism, Forgács offers a comprehensive interpretation of its postwar significance, reception, and historical trajectory. She delves into the ways in which the square resonated with different artistic movements and cultural contexts, from the avant-garde movements of the early twentieth century to the emergence of the New Left in 1956 and the seismic events of 1968. Through her meticulous research and insightful analysis, Forgács sheds light on the enduring influence of interwar modernism on contemporary art, highlighting its relevance and significance in shaping the artistic landscape of our time.

In conclusion, this book is a testament to the power of cultural transfer and the enduring legacy of international interwar modernism. Through the meticulous exploration of the square's journey and the insightful analysis of the contributions of Malevich, Lissitzky, and van Doesburg, Forgács provides a fresh perspective on this artistic movement. Her work not only sheds light on the historical significance of the square but also offers a valuable contribution to our understanding of modernism's complex and multifaceted nature. This captivating book is a must-read for anyone interested in art history, cultural studies, and the enduring impact of artistic innovation.

Dimension: 234 x 156 (mm)
ISBN-13: 9781350204218