Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s

This study analyzes US Cuban theatrical performances written and staged primarily between 1980 and 2000, exploring the works of Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana. It also examines theatrical projects of reconciliation among Cubans on and off the island in the early 2000s, arguing that US Cuban theater problematizes both the exile and Cuban-American paradigms.

Format: Paperback / softback
Length: 308 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This comprehensive study delves into the rich tapestry of US Cuban theatrical performances, spanning the vibrant years between 1980 and 2000. Lillian Manzor, a scholar of exceptional expertise, takes us on a captivating journey through the works of a select group of playwrights, including Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana. Moreover, she explores the profound impact of these playwrights on three groundbreaking Latin theater projects: the Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), the Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and the Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005).

In addition to her meticulous analysis of these theatrical endeavors, Manzor delves into the captivating realm of reconciliation projects among Cubans both on and off the island in the early 2000s. Through her meticulous research, she demonstrates the foundational significance of these artists and projects, arguing that US Cuban theater serves as a powerful platform for problematizing the exile and Cuban-American paradigms. By employing the lens of performance, the author offers insightful theorizations on how we can intervene and reshape political and representational positions within the complex context of hybrid cultural identities.

This book is a treasure trove for students and scholars alike, offering invaluable insights into Performance Studies, Transnational Latine Studies, Race and Gender studies. It is a testament to the enduring legacy of US Cuban theater and its profound impact on the broader cultural landscape. Prepare to be captivated by the rich narratives, provocative themes, and thought-provoking performances that redefine our understanding of theater and identity.

Weight: 453g
Dimension: 234 x 156 (mm)
ISBN-13: 9781032138718