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Shulph Ink

Materializing Digital Futures: Touch, Movement, Sound and Vision

Materializing Digital Futures: Touch, Movement, Sound and Vision

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  • More about Materializing Digital Futures: Touch, Movement, Sound and Vision

Digital and visual media are pervasive in everyday life, providing sophisticated language and sensory experiences. This book explores the processes of robotics, AI, virtual reality, creative image and sound production, data representation, and creative practice, examining issues of commodification, identity, identification, and political economy in the emerging encounters and perceptions.

Format: Hardback
Length: 352 pages
Publication date: 24 February 2022
Publisher: Bloomsbury Publishing Plc


Digital, visual media permeate various aspects of everyday life, extending from workplaces to household devices. Computer and digital television screens, appliances like refrigerators and home assistants, and applications for social media and gaming are just a few examples. With each technological advancement, the language used to pursue sensory experiences of the world around us evolves, encompassing touch, movement, sound, and vision. This fundamental aspect of screen media use and audience engagement with digital artifacts forms the core of the screen media experience.

Drawing on the ever-evolving transformation and transformative potential of digital media, this book explores a rich tapestry of processes in robotics and AI, virtual reality, creative image and sound production, data representation, and creative practice. It critically examines issues surrounding commodification, identity, identification, and political economy, shedding light on the emerging and influential encounters and perceptions shaped by these technologies.

The book unfolds as a narrative that weaves together these diverse threads, providing a comprehensive understanding of the evolving landscape of screen media. It delves into the intricate processes involved in robotics and AI, exploring how they are shaping the creation and interaction of digital artifacts. Virtual reality emerges as a powerful tool for immersive experiences, enabling users to explore and engage with digital environments in novel ways. Creative image and sound production encompass techniques such as digital photography, video editing, and audio production, allowing artists to express their creativity and convey messages in innovative ways.

Data representation plays a crucial role in the digital age, as it enables the storage, analysis, and visualization of vast amounts of information. The book explores the techniques and methodologies used to represent data visually, highlighting the importance of effective data visualization in understanding and interpreting complex data sets. Creative practice encompasses a wide range of activities, including storytelling, design, and interactive installations, that leverage screen media technologies to create immersive and engaging experiences for audiences.

Throughout the book, critical examinations are conducted of the ethical, social, and cultural implications of screen media. Issues such as privacy, surveillance, and the impact of technology on human interactions are explored, raising important questions about the future of screen media and its role in shaping our world.

In conclusion, Digital, Visual Media: Processes, Practices, and Perceptions offers a comprehensive exploration of the evolving landscape of screen media. It provides insights into the processes, practices, and perceptions that shape our interactions with digital artifacts, shedding light on the ethical, social, and cultural implications of this rapidly evolving field. By examining the intersection of robotics, AI, virtual reality, creative image and sound production, data representation, and creative practice, this book offers a rich tapestry of knowledge that will be valuable to scholars, practitioners, and enthusiasts alike.


Dimension: 229 x 152 (mm)
ISBN-13: 9781501361258

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