Melancholy of Masterpieces: Old Masters Paintings in America, 1900-1914

The book explores the impact of transatlantic displacements and mass media on the public perception of old master paintings in America between 1900 and 1914, examining the political, cultural, and social implications of the phenomenon.

Format: Paperback / softback
Length: 348 pages
Publication date: 30 January 2019
Publisher: Five Continents Editions

The book delves into a comprehensive examination of American art collecting between 1900 and 1914, exploring the profound influence of transatlantic displacements and mass media on the public's perception of old master paintings. Rather than merely tracing the routes of their acquisitions, it delves into an in-depth analysis of the political, cultural, and social implications of this phenomenon, shedding light on its role within American society and its interconnectedness with Europe.

The book begins by tracing the emergence of American art collecting during this period, highlighting the significant role played by wealthy individuals, such as J.P. Morgan and Henry Clay Frick, in shaping the collection landscape. It explores the various factors that drove this collecting, including the rise of American imperialism, the growth of the middle class, and the increasing accessibility of art through publications and exhibitions.

One of the key themes of the book is the impact of transatlantic displacements on the perception of old master paintings. As European artists and collectors fled the continent during World War I, their works were increasingly available in the United States. The book examines how these transatlantic migrations shaped the American taste for art, influencing the development of new art movements and the emergence of modern art as a dominant force in the country.

Furthermore, the book explores the role of mass media in shaping the public's perception of old master paintings. It examines how newspapers, magazines, and art exhibitions contributed to the popularization of these works, creating a sense of awe and admiration for them among the general public. The book also examines the ways in which these media outlets perpetuated stereotypes and biases about art, influencing how people perceived different artists and movements.

In addition to its analysis of the impact of transatlantic displacements and mass media, the book also delves into the political, cultural, and social implications of American art collecting. It explores how these collections reflected the power dynamics of the time, with wealthy individuals and institutions exerting significant influence over the art market. It also examines how these collections contributed to the development of American cultural identity, shaping the way in which Americans viewed themselves and their place in the world.

Overall, the book offers a rich and nuanced exploration of American art collecting between 1900 and 1914, providing a valuable insight into the complex interplay between art, culture, and society during this period. Its comprehensive analysis of the political, cultural, and social implications of this phenomenon makes it an essential read for anyone interested in the history of art and culture in the United States.

Weight: 686g
Dimension: 156 x 220 x 32 (mm)
ISBN-13: 9788874390274