Merchant of Venice

Tom Lockwood has added a new introductory section on the latest scholarly trends, performance, and adaptation practices to Shakespeare's most problematic play. It also focuses on recent international performances on stage and screen, new forms of adaptation, and a performance transposed to the different generic mode of a New York auction room.

\n Format: Paperback / softback
\n Length: 218 pages
\n Publication date: 19 April 2018
\n Publisher: Cambridge University Press
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For this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance, and adaptation practices that have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe to Globe Festival, Jonathan Munby's touring production for the Globe performed in London, New York, and Venice, and Rupert Goold's production for the Royal Shakespeare Company). Finally, new forms of adaptation are considered: a performance transposed to the different generic mode of a New York auction room, and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name.

Introduction:
In this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance, and adaptation practices that have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe to Globe Festival, Jonathan Munby's touring production for the Globe performed in London, New York, and Venice, and Rupert Goold's production for the Royal Shakespeare Company). Finally, new forms of adaptation are considered: a performance transposed to the different generic mode of a New York auction room, and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name.

Critical Frames:
The updated introduction delves into the latest critical frames through which the play has been interpreted, exploring the diverse perspectives and interpretations that have emerged over the years. It examines the historical, cultural, and political contexts in which the play was written and performed, as well as the various scholarly approaches and methodologies used to analyze and interpret it. The introduction also highlights the impact of recent developments in feminist, postcolonial, and queer studies on the interpretation of the play, emphasizing the ways in which these frameworks have challenged traditional readings and opened up new avenues for understanding and appreciation.

International Performances:
The updated introduction also takes a closer look at recent international performances on stage and screen, highlighting the ways in which the play has been adapted and reimagined for different audiences and cultures. It discusses the various productions that have been staged around the world, including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe Globe Festival, Jonathan Munby's touring production for the Globe. The introduction also explores the impact of these performances on the broader cultural landscape, examining how they have contributed to the ongoing conversation about the relevance and impact of Shakespeare's plays in contemporary society.

New Adaptations:
In addition to exploring the latest critical frames and international performances, the updated introduction also considers new forms of adaptation. It examines the ways in which the play has been transposed to the different generic mode of a New York auction room, emphasizing the ways in which the setting and context of the play have been altered to reflect the unique dynamics and tensions of the auction world. It also explores the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name, emphasizing the ways in which the novel reimagines the characters and themes of the play in a contemporary setting.

Conclusion:
In conclusion, this updated edition of one of Shakespeare's most problematic plays offers a comprehensive and insightful introduction to the play, exploring the latest scholarly trends, performance, and adaptation practices that have occurred over the last two decades. It provides a rich and nuanced understanding of the play, highlighting the ways in which it has been interpreted and reimagined by different audiences and cultures. The introduction also considers new forms of adaptation, such as the performance transposed to the different generic mode of a New York auction room and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name. By providing a comprehensive and accessible introduction to the play, this edition is an invaluable resource for students, scholars, and anyone interested in Shakespeare's plays and their enduring relevance and impact.

\n Weight: 322g\n
Dimension: 152 x 227 x 11 (mm)\n
ISBN-13: 9781316506646\n
Edition number: Updated edition\n