Skip to product information
1 of 1

David Hanan

Moments in Indonesian Film History: Film and Popular Culture in a Developing Society 1950-2020

Moments in Indonesian Film History: Film and Popular Culture in a Developing Society 1950-2020

💎 Earn 469 Points (£4.69) on this item.

Important: Dispatches within 2 to 4 weeks
Regular price £93.93 GBP
Regular price £109.99 GBP Sale price £93.93 GBP
Sale Sold out
Taxes included. Shipping calculated at checkout.

YOU SAVE £16.06

  • Condition: Brand new
  • UK Delivery times: Usually arrives within 2 - 3 working days
  • UK Shipping: Fee starts at £2.39. Subject to product weight & dimension

Bulk ordering. Want 15 or more copies? Get a personalised quote and bigger discounts. Learn more about bulk orders.

  • More about Moments in Indonesian Film History: Film and Popular Culture in a Developing Society 1950-2020


This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It discusses early 1950s 'Indonesian neorealist films, political allegories, popular cinema, and auteur films, as well as innovation in the post-Suharto Reformasi period.

Format: Paperback / softback
Length: 354 pages
Publication date: 14 December 2022
Publisher: Springer Nature Switzerland AG


Indonesian cinema is a vibrant and diverse medium that has been captivating audiences for decades. This book delves into the rich tapestry of Indonesian cinema, exploring the unique creativity of Indonesian film artists who have illuminated important but less-widely-known aspects of their multi-dimensional society.

The journey begins with an examination of the early 1950s Indonesian neorealist films of the Perfini group. These films, produced during the period of struggle for independence (1945-49), capture the ethos and emerging moral issues of that era. They provide a poignant portrayal of the challenges faced by the Indonesian people during their quest for freedom and self-determination.

The book then moves on to discuss four audacious political allegories that were produced in four discrete political eras: the Sukarno, Suharto, and Reformasi periods. These allegories offer a critical lens through which to examine the political landscape of Indonesia and the struggles that the country has faced over the years. They explore themes of power, corruption, and social justice, providing a thought-provoking commentary on the state of Indonesian politics.

In addition to its exploration of political themes, the book also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. It examines how filmmakers have depicted Islam and its role in Indonesian society, and how it has been used as a tool for political and social control. The book highlights both the positive and negative aspects of this representation, providing a nuanced understanding of the complex relationship between Islam and Indonesian culture.

One chapter of the book celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S. These films, known for their humor and social commentary, dramatize the experience of the poor in 'modernizing Jakarta. They offer a poignant portrayal of the challenges faced by the urban poor, and their struggle to navigate the rapidly changing social and economic landscape.

Another chapter examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. These films explore the complexities of identity, culture, and power, and offer a fresh perspective on the ongoing struggles of marginalized communities in Indonesia. They challenge traditional narratives and provide a platform for the voices of those who have been historically silenced.

The concluding chapter of the book highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999-2020). It showcases films by an unprecedented generation of women writer-directors who are breaking new ground in the industry. These filmmakers are challenging traditional gender roles and exploring themes of gender, sexuality, and social justice. Their work is characterized by a boldness and creativity that is redefining the landscape of Indonesian cinema.

In conclusion, Indonesian cinema is a rich and complex medium that offers a unique perspective on the diverse and complex society of Indonesia. This book explores the unique creativity of Indonesian film artists who have illuminated important but less-widely-known aspects of their multi-dimensional society. It provides a comprehensive examination of Indonesian cinema's political, social, and cultural themes, and highlights the ongoing innovation and creativity in the industry. Whether you are a film enthusiast, a student of Indonesian culture, or simply interested in exploring the world of cinema, this book is a valuable resource for understanding the rich tapestry of Indonesian cinema.

Weight: 491g
Dimension: 210 x 148 (mm)
ISBN-13: 9783030726157
Edition number: 1st ed. 2021

This item can be found in:

UK and International shipping information

UK Delivery and returns information:

  • Delivery within 2 - 3 days when ordering in the UK.
  • Shipping fee for UK customers from £2.39. Fully tracked shipping service available.
  • Returns policy: Return within 30 days of receipt for full refund.

International deliveries:

Shulph Ink now ships to Australia, Belgium, Canada, France, Germany, Ireland, Italy, India, Luxembourg Saudi Arabia, Singapore, Spain, Netherlands, New Zealand, United Arab Emirates, United States of America.

  • Delivery times: within 5 - 10 days for international orders.
  • Shipping fee: charges vary for overseas orders. Only tracked services are available for most international orders. Some countries have untracked shipping options.
  • Customs charges: If ordering to addresses outside the United Kingdom, you may or may not incur additional customs and duties fees during local delivery.
View full details