Mural Painting in Britain 1630-1730: Experiencing Histories

This book explores the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain, which were once called 'histories' but became associated with easel painting. It emphasizes the way spectators experienced these paintings within their architectural settings and discusses new iconographical interpretations and theories of effect and affect in their wider historical, cultural, and social contexts. It is intended for specialists, graduate, and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.

Format: Paperback / softback
Length: 192 pages
Publication date: 21 January 2023
Publisher: Taylor & Francis Ltd

This captivating book delves into the rich tapestry of seventeenth- and early eighteenth-century mural paintings in Britain, shedding light on their original meanings. Initially known as 'histories,' these artworks evolved over time to become closely associated with easel painting. However, as 'history painting' ascended to sublime heights, it distanced itself from its connection with painted architectural interiors. While both genres featured historical figures and narratives, their approaches to depicting these elements were distinct. Lydia Hamlett emphasizes the immersive experience of mural paintings within their architectural contexts, emphasizing how spectators engaged with them. Furthermore, this book explores new iconographical interpretations and theories of effect and affect, placing them within the broader historical, cultural, and social frameworks of the time. With a primary focus on specialists, graduate, and undergraduate students with a keen interest in exploring innovative approaches to British art during the seventeenth and eighteenth centuries, this book offers a profound exploration of these captivating artworks.

Weight: 360g
Dimension: 246 x 174 (mm)
ISBN-13: 9781032474670