Music and the Queer Body in English Literature at the Fin de Siecle

Music and the Queer Body explores the role of music in shaping emergent queer identities in the late-nineteenth and early-twentieth centuries, drawing on a wide range of interdisciplinary material. It emphasizes the significance of embodiment in queer musical subcultures and how literary texts at the fin de siècle invest music with queer agency to challenge essentialist identities, facilitate re-conceptions of embodied subjectivity, and present alternative sensory experiences of space and time.

Format: Hardback
Length: 250 pages
Publication date: 14 April 2022
Publisher: Cambridge University Press

Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises, and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster, and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee, and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic, and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.

Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises, and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster, and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee, and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic, and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.

Weight: 576g
Dimension: 159 x 235 x 24 (mm)
ISBN-13: 9781108839204
Edition number: New ed