Musical Agency and the Social Listener

The book provides justification for using musical agency as an analytical tool and descriptor, and is of interest to researchers in cognitive science and social psychology, social theorists, and non-specialists.

Format: Paperback / softback
Length: 188 pages
Publication date: 31 May 2023
Publisher: Taylor & Francis Ltd

The overarching objective of this captivating book is to present compelling arguments in favor of employing musical agency as a valuable analytical tool and descriptor. Furthermore, this project holds significant appeal to scholars in the domains of cognitive science and social psychology, who are eager to engage in interdisciplinary research exploring the profound impact of music on the human brain. Additionally, social theorists who delve into the intricate interplay between agency, social practices, and human subjectivity will find this book to be of great interest. It is designed to be accessible to a wide range of readers, including academics from various fields and individuals with a bachelor's degree or higher, as well as non-specialists who are eager to delve into the complexities of musical agency.

The book is organized into several chapters, each dedicated to exploring different aspects of musical agency. In the introductory chapter, the author provides a comprehensive overview of the topic, defining musical agency and its significance in understanding the complexities of human behavior. The subsequent chapters delve into various theoretical frameworks and empirical studies that shed light on the nature and implications of musical agency.

One of the key themes explored in the book is the relationship between musical agency and cognitive processes. The author argues that music can evoke powerful cognitive responses, including attention, memory, and emotion, which in turn shape our perception and interpretation of the world. Through detailed case studies and experimental research, the author demonstrates how musicians use their agency to create and perform music that elicits specific cognitive responses, such as attentional shifts, memory encoding, and emotional arousal.

Another important aspect of the book is its exploration of the social and cultural dimensions of musical agency. The author argues that music is not just a personal or individual experience but is deeply embedded in social and cultural practices. Musicians use their agency to negotiate the complex social dynamics of performance, collaboration, and audience engagement, and to shape the cultural meanings and values associated with music. The book provides rich examples of how musicians use their agency to challenge dominant narratives, promote social justice, and create new forms of cultural expression.

In addition to its theoretical and empirical contributions, the book also offers practical insights for musicians, educators, and policymakers. The author provides guidance on how musicians can develop their agency and enhance their creative abilities, and how educators can incorporate musical agency into their teaching practices to promote student engagement and learning. The book also discusses the ethical implications of musical agency, particularly in relation to issues of power, representation, and cultural appropriation.

Overall, this book is a groundbreaking contribution to the field of music psychology and cognitive science. It provides a comprehensive and interdisciplinary understanding of musical agency, and its implications for understanding human behavior and culture. By engaging with the rich insights and compelling arguments presented in this book, readers will gain a deeper appreciation of the power of music to shape our lives and the world around us.

Weight: 453g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367770853