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Nick Goss,Hettie Judah,Michael Armitage,Thomas Marks

Nick Goss - Smickel Inn

Nick Goss - Smickel Inn

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  • More about Nick Goss - Smickel Inn

_Smickel Inn_ is a publication of works by Nick Goss, produced by Ingleby, Edinburgh, and co-published with Matthew Brown, Los Angeles, and Anomie Publishing, London. It features sixty plates and illustrations, an essay by Hettie Judah, and an in-conversation between Goss, fellow painter Michael Armitage, and writer Thomas Marks. The publication takes us around the wider Dutch coastline and beyond, creating lyrical yet strangely haunting and melancholic paintings trapped in time between personal experience and collective memory.

Format: Unspecified
Length: 116 pages
Publication date: 28 November 2023
Publisher: Anomie Publishing


Smickel Inn


Smickel Inn is a publication of works by London-based Anglo-Dutch artist Nick Goss, produced by Ingleby, Edinburgh, and co-published with Matthew Brown, Los Angeles, and Anomie Publishing, London. Along with around sixty plates and illustrations, the publication features an essay by writer, journalist, and critic Hettie Judah, and an in-conversation between Goss, fellow painter Michael Armitage, and writer Thomas Marks.

Judah writes, "Smickel Inn is a real place in an unreal place, a snack bar on an outer extremity of the port of Rotterdam. Its a venue that is popular with port workers and sailors—a clientele of regular and transitory people often involved in sea freight or oil shipping, though their lives, personalities, and stories are largely played out in Goss's mixed-media paintings through the bars interior décor: an old vase with fresh flowers, a stack of glass ashtrays, a well-worn piano with a pile of books on top, an eclectic selection of picture frames with faded scenes, and a clock that might only be right twice a day. Filtered through Goss's imagination, Smickel Inn carries its history with it, much of it decorating the countertop; its a venue that charms with its informality—a place that knows itself, and its disparate customers. In real life, the bar has a cinematic view of the port and the North Sea, translated here, through Goss's creative process of painting and silk-screening, into a scene from an engraving of seventeenth-century Sicily. Fragments from different places and eras infiltrate his images, creating a patina of palimpsests, visual echoes, perhaps, of memories of travelers coming through the port. The body of work takes us around the wider Dutch coastline and beyond—we see passengers on foot disembarking a ferry, have a backseat view of a car ride around the village, and see a group of people gathered around a table in a restaurant. Goss's paintings are characterized by their vibrant colors, bold lines, and intricate patterns, which create a sense of movement and energy. They often depict scenes of everyday life, such as people walking, talking, and working, as well as landscapes and seascapes. Goss's use of color is particularly striking, with bright reds, blues, and yellows contrasting against the neutral tones of the background. This creates a sense of urgency and vibrancy, which is further enhanced by the use of texture and pattern. Goss's paintings are also characterized by their sense of humor and wit, with many of them featuring humorous characters and situations. For example, in one painting, a group of people are gathered around a table in a restaurant, laughing and joking, while in another, a man is standing on a street corner, holding a sign that reads "Smickel Inn."

Goss's paintings have been exhibited in galleries and museums around the world, and he has received numerous awards and accolades for his work. In 2016, he was awarded the Turner Prize, which is the most prestigious art prize in the United Kingdom. Goss's work has also been featured in numerous publications, including "The New Yorker," "The Guardian," and "Artforum."

In conclusion, Smickel Inn is a publication of works by London-based Anglo-Dutch artist Nick Goss, produced by Ingleby, Edinburgh, and co-published with Matthew Brown, Los Angeles, and Anomie Publishing, London. The publication features an essay by writer, journalist, and critic Hettie Judah, and an in-conversation between Goss, fellow painter Michael Armitage, and writer Thomas Marks. Goss's paintings are characterized by their vibrant colors, bold lines, and intricate patterns, which create a sense of movement and energy. They often depict scenes of everyday life, such as people walking, talking, and working, as well as landscapes and seascapes. Goss's use of color is particularly striking, with bright reds, blues, and yellows contrasting against the neutral tones of the background. This creates a sense of urgency and vibrancy, which is further enhanced by the use of texture and pattern. Goss's paintings are also characterized by their sense of humor and wit, with many of them featuring humorous characters and situations. Goss's work has been exhibited in galleries and museums around the world, and he has received numerous awards and accolades for his work. In 2016, he was awarded the Turner Prize, which is the most prestigious art prize in the United Kingdom. Goss's work has also been featured in numerous publications, including "The New Yorker," "The Guardian," and "Artforum."

Weight: 924g
Dimension: 316 x 252 x 17 (mm)
ISBN-13: 9781910221549

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