No Power Without an Image explores the connections between iconic photographs of political struggles and cinema, using original archival research and multidisciplinary icon theory to offer new perspectives on the confluence of still and moving images.

Format: Hardback
Length: 224 pages
Publication date: 31 October 2020
Publisher: Edinburgh University Press

The first comprehensive examination of the relationship between iconic photographs and film, No Power Without an Image, uncovers the intricate connections between seven renowned photographs of political struggles, captured between 1936 and 1968, and cinema in various forms. This captivating book delves into the evolution of film, from the paper cinema of magazines to newsreels, film journals, documentaries, fiction, and experimental films, utilizing original archival research and multidisciplinary icon theory to offer fresh perspectives on the interplay between still and moving images.

The First Detailed Study of What Filmic Images Can Tell Us About Iconic Photographs

No Power Without an Image, a groundbreaking book by [Author's Name], explores the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the paper cinema of magazines via newsreels and film journals, to documentary, fiction, and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.

The Evolution of Film

The book begins by tracing the evolution of film, from the paper cinema of magazines to newsreels, film journals, documentaries, fiction, and experimental films. Each chapter focuses on a specific period or genre, providing a detailed analysis of the ways in which film has influenced and shaped our understanding of iconic photographs. For example, the chapter on newsreels explores how film has been used to document historical events and to convey a sense of urgency and immediacy. The chapter on documentary films examines how film has been used to capture the lives of ordinary people and to raise awareness about social and political issues. The chapter on fiction films explores how film has been used to create narratives and to explore the human condition. The chapter on experimental films explores how film has been used to experiment with form and to challenge traditional notions of what film can be.

The Multifaceted Connections between Iconic Photographs and Film

The book then delves into the multifaceted connections between iconic photographs and film. Each photograph is analyzed in detail, exploring the ways in which it has been used in film and the ways in which it has influenced film. For example, the photograph of the [Insert Photograph Name] taken by [Insert Photographer Name] in 1936 is analyzed in detail, exploring the ways in which it has been used in film to convey a sense of power and authority. The photograph of the [Insert Photograph Name] taken by [Insert Photographer Name] in 1948 is analyzed in detail, exploring the ways in which it has been used in film to convey a sense of hope and optimism. The photograph of the [Insert Photograph Name] taken by [Insert Photographer Name] in 1968 is analyzed in detail, exploring the ways in which it has been used in film to convey a sense of despair and hopelessness. The book also explores the ways in which film has been used to challenge and subvert iconic photographs, for example, by using irony or by creating a sense of ambiguity.

Original Archival Research and Multidisciplinary Icon Theory

The book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images. Archival research includes the examination of film archives, film journals, and other primary sources, while multidisciplinary icon theory includes the study of the visual language of images and the ways in which images can convey meaning. The book also includes interviews with filmmakers, film scholars, and other experts in the field, providing a unique perspective on the relationship between film and iconic photographs.

Conclusion

No Power Without an Image is a groundbreaking book that reveals the multifaceted connections between iconic photographs of political struggles and cinema in all its forms. Moving from the paper cinema of magazines via newsreels and film journals, to documentary, fiction, and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images. Whether you are a film scholar, a photographer, or a general reader interested in the relationship between film and iconic photographs, this book is essential reading.

Weight: 438g
Dimension: 162 x 240 x 19 (mm)
ISBN-13: 9781474463157