Non-Construction - An Architectural Gesture in Artistic Research

This book explores discursive practice and the integration of architectural art as a discourse of spatial practice through a cinematographic documentary image strategy, offering conceptual and aesthetic insights into spiraling and voiding sensual experiences and implications for the decolonization of documentary and cinematography.

Format: Hardback
Length: 256 pages
Publication date: 25 October 2022
Publisher: Diaphanes AG

This book redefines architecture by focusing on the tactile experience rather than just the construction process. By doing so, it opens up a range of possibilities for exploring discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice. To approach this new perspective, Non-Construction employs a cinematographic documentary image strategy that engages in a critical spatial exploration of the current entanglements of art and research at the crossroads of art, theory, and architecture. This approach challenges traditional visual conventions and offers conceptual and aesthetic insights into spiraling and voiding sensual experiences, with implications for the decolonization of documentary and cinematographic practices beyond the realm of architecture.

Introduction:
In the field of architecture, there has been a longstanding emphasis on the physical aspects of construction, with the focus on materials, structures, and technical details. However, there has been a growing recognition of the importance of the tactile experience in shaping the way we perceive and interact with buildings. This book aims to explore the relationship between architecture and the tactile experience, and to investigate how the latter can be used to enhance the design and functionality of buildings.

Defining Architecture Based on the Tactile Experience:
By defining architecture based on the tactile experience, we can shift our focus from the physical to the sensory and emotional aspects of buildings. This approach allows us to consider the way that buildings touch our bodies, evoke emotions, and create spaces that are both functional and aesthetically pleasing.

Exploring Discursive Practice as the Study of Architectural Art:
One of the key aspects of this book is the exploration of discursive practice as the study of architectural art. Discursive practice refers to the way that architecture is produced, interpreted, and consumed through language and discourse. It involves the analysis of architectural texts, drawings, and models, as well as the study of architectural history and theory. Through this lens, we can understand how architecture is shaped by cultural, social, and political factors, and how it contributes to the formation of identity and place.

Integrating Architectural Art as a Discourse of Spatial Practice:
Another important aspect of this book is the integration of architectural art as a discourse of spatial practice. Architectural art refers to the visual and spatial elements of buildings, such as design, color, texture, and light. By integrating architectural art as a discourse of spatial practice, we can understand how buildings are designed to create specific spatial experiences and how they interact with the surrounding environment.

Utilizing Cinematographic Documentary Image Strategy:
To take on this new lens, Non-Construction utilizes a cinematographic documentary image strategy. This strategy involves the use of film and video to capture the physical and sensory aspects of buildings, as well as the experiences of people who inhabit them. By employing this strategy, we can create a rich and immersive experience that allows readers to engage with architecture on a deeper level.

Challenging Visual Conventions:
One of the challenges of this book is the challenge of challenging visual conventions. Traditional architectural representations often rely on static images and drawings that do not fully capture the dynamic and sensory aspects of buildings. By employing a cinematographic documentary image strategy, we can create a more dynamic and engaging representation of architecture that allows readers to experience the buildings in a more immersive and sensory way.

Conceptual and Aesthetic Insights:
Through the exploration of spiraling and voiding sensual experiences, this book offers conceptual and aesthetic insights into the relationship between architecture and the tactile experience. It explores how buildings can evoke emotions, create spaces that are both functional and aesthetically pleasing, and how they can be designed to promote well-being and health.

Implications for the Decolonization of Documentary and Cinematographic Practices:
The implications of this book extend far beyond the realm of architecture. By challenging visual conventions and integrating architectural art as a discourse of spatial practice, it offers a new perspective on the documentary and cinematographic practices. It challenges the dominant narratives and representations of architecture and opens up possibilities for a more diverse and inclusive representation of the built environment.

Conclusion:
In conclusion, this book redefines architecture by focusing on the tactile experience rather than just the construction process. By employing a cinematographic documentary image strategy, it offers conceptual and aesthetic insights into the relationship between architecture and the tactile experience. It challenges visual conventions and offers implications for the decolonization of documentary and cinematographic practices beyond the realm of architecture. Through its exploration of discursive practice, the integration of architectural art as a discourse of spatial practice, and the challenge of visual conventions, this book provides a new perspective on the role of architecture in shaping our lives and the built environment.

Weight: 448g
Dimension: 245 x 171 x 14 (mm)
ISBN-13: 9783035803488