Of Gods, Gifts and Ghosts: Spiritual Places in Urban Spaces

Through a series of sociological and photographic essays, Terence Heng explores Chinese religion practices in Singapore, revealing the significance and relevance of Chinese religion in a secular nation-state, the strategies and tactics used by diasporic individuals to perform and retain their identities, the importance of flow and fluidity in the making of sacred space, and the value and efficacy of the use of photographs in social research.

Format: Paperback / softback
Length: 237 pages
Publication date: 03 December 2020
Publisher: Taylor & Francis Ltd

Through a series of sociological and photographic essays, Terence Heng meticulously maps the diverse rituals, collectives, individuals, and events that constitute Chinese religion practices in Singapore. From the realm of spirit mediums to the vibrant Hungry Ghost Festival, each chapter delves into the intricate interplay of social, spatial, and ephemeral aspects, shedding light on the profound significance and relevance of Chinese religion within a secular nation-state. By examining the strategies and tactics employed by diasporic individuals to preserve and perform their identities, the book uncovers the importance of flow and fluidity in the creation of sacred spaces. Moreover, it provides compelling evidence of the value and effectiveness of photographs in social research.

Of Gods, Gifts, and Ghosts is a groundbreaking exploration that seamlessly blends visual sociology, cultural geography, and creative photographic practice. This visual monograph, which gives equal weight to image and text, delves into the complex tensions between sacred and profane, official and unofficial, state and individual, physical and spiritual realms. It employs a multifaceted approach to peel back the layers of the spiritual imagination, offering a rich and immersive experience for readers.

In the first chapter, titled "Of Gods and Spirits," Heng explores the role of religion in shaping the spiritual landscape of Singapore. Through a series of interviews and observations, he sheds light on the practices of spirit mediums, who claim to communicate with the deceased and offer guidance and healing to their clients. The chapter also examines the significance of ancestral worship and the veneration of deities, both within traditional Chinese religious practices and in the context of Singapore's multi-ethnic society.

The second chapter, titled "Of Gifts and Rituals," delves into the intricate world of Chinese festivals and celebrations. Heng showcases the vibrant Hungry Ghost Festival, a popular event that attracts thousands of participants each year. Through his photographs and sociological analysis, he explores the festival's origins, rituals, and cultural significance, highlighting the ways in which it serves as a platform for diasporic individuals to express their cultural heritage and maintain their connections to their ancestral roots.

In the third chapter, titled "Of Spaces and Places," Heng examines the spatial dimensions of Chinese religion in Singapore. He explores the role of temples, shrines, and other sacred spaces in the lives of Chinese communities, highlighting the ways in which they serve as centers of worship, social gatherings, and places of healing. The chapter also explores the challenges faced by Chinese religious institutions in adapting to the changing urban landscape and the impact of globalization on traditional religious practices.

The fourth chapter, titled "Of Individuals and Identities," focuses on the personal experiences of diasporic individuals and their relationship to their spiritual and ethnic identities. Heng interviews a diverse range of individuals, including immigrants, descendants of Chinese immigrants, and individuals who have adopted Chinese religion as part of their personal journey. Through their stories, he explores the complexities of identity formation, the challenges of preserving cultural heritage, and the ways in which individuals navigate the tensions between tradition and modernity.

The fifth chapter, titled "Of Photography and Social Research," explores the role of photography in capturing and documenting the experiences of Chinese religion in Singapore. Heng discusses the ethical considerations involved in social research and the importance of respecting the privacy and dignity of individuals and communities. He showcases a selection of his photographs, which serve as powerful visual evidence of the rituals, celebrations, and everyday life of Chinese religious practices.

In conclusion, Of Gods, Gifts, and Ghosts is a groundbreaking exploration that offers a fresh perspective on the intersections between visual sociology, cultural geography, and creative photographic practice. Through a series of compelling essays and photographs, Heng provides a deep and nuanced understanding of Chinese religion in Singapore, shedding light on its significance, relevance, and the strategies employed by diasporic individuals to preserve and perform their identities. This book is a valuable contribution to the field of religious studies and cultural geography, and it will be of interest to scholars, researchers, and anyone with an interest in the complexities of religious practice and identity in contemporary society.

Weight: 782g
Dimension: 253 x 202 x 24 (mm)
ISBN-13: 9781138347366