Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other

This two-volume collection of essays explores the impact of cultural practices on the ability of opera to move emotions in Australia, spanning 170 years of opera production. Volume I adopts a historical perspective, while Volume II discusses subsequent Australian operas through the twenty-first century. The authors establish a model for constructing emotion history from multiple disciplinary perspectives.

Format: Hardback
Length: 238 pages
Publication date: 31 December 2020
Publisher: Taylor & Francis Ltd

Opera and emotion are undeniably intertwined, with a rich tapestry of elements contributing to the emotional impact of this art form. From the dynamic plots crafted by energetic producers and directors to the conflicts and triumphs experienced by everyone involved in opera production, to the reactions and critiques of audience members, emotion permeates every aspect of opera. However, it is important to consider the influence that the customary cultural practices of specific times and places have on the ability of opera to move emotions.

In this two-volume collection of extended essays, we explore the intricate relationship between emotional experiences, discourses, displays, and expressions in opera, with a specific focus on Australia as a case study. Spanning approximately 170 years of opera production in Australia, the authors demonstrate that emotional significance is not universal but is, at least partly, produced, defined, and regulated by culture.

Volume I adopts a historical perspective, primarily focusing on the nineteenth century, while Volume II employs historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions from the twentieth century to the present. By drawing threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a groundbreaking model for constructing emotion history from multiple disciplinary perspectives.

In Volume I, the authors delve into the historical context of opera production in Australia, examining how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have evolved over time. They explore how the operatic repertoire has adapted to changing cultural and social contexts, reflecting the nation's evolving values and beliefs.

Volume II takes a deeper dive into the musical and cultural aspects of Australian opera, exploring the influence of composers, performers, and audiences on the shaping of emotional experiences. The authors examine the ways in which music, staging, and performance techniques have been used to evoke and manipulate emotions, and how these techniques have been influenced by the unique cultural heritage of Australia.

Through their comprehensive analysis, the authors shed light on the complex interplay between opera, emotion, and culture. They demonstrate how the emotions associated with opera are not fixed or universal but are shaped by the specific cultural milieu in which they are produced and experienced. They also highlight the importance of recognizing and respecting the cultural nuances that contribute to the emotional impact of opera, as it allows for a more nuanced and inclusive understanding of this art form.

Opera, Emotion, and the Antipodes serves as a valuable resource for scholars, performers, and audiences alike. It provides a comprehensive exploration of the emotional dimensions of opera in Australia, offering insights into the historical, musical, and cultural factors that have shaped this art form. By embracing the diversity of cultural practices and perspectives, this collection encourages a deeper appreciation of the emotional power of opera and its ability to connect people across different cultures and times.

In conclusion, opera and emotion are inextricably linked, and the cultural practices of specific times and places play a significant role in shaping the emotional experiences of opera. This two-volume collection of extended essays demonstrates the nuanced and complex relationship between opera, emotion, and culture, offering a valuable contribution to the field of opera studies. By embracing the diversity of cultural practices and perspectives, we can gain a deeper understanding of the emotional power of opera and its ability to transcend boundaries and connect people on a profound level.

Weight: 530g
Dimension: 162 x 243 x 22 (mm)
ISBN-13: 9780367476960