Opera, Emotion, and the Antipodes Volume II: Applied Perspectives: Compositions and Performances

Opera and emotion are inextricably linked, but few consider the impact of cultural practices on its ability to move emotions. This two-volume collection of essays demonstrates that emotional experiences, discourses, displays, and expressions are partly produced, defined, and regulated by culture. It spans 170 years of opera production in Australia, showing how emotions have adjusted to changing cultural and social contexts.

Format: Paperback / softback
Length: 250 pages
Publication date: 01 August 2022
Publisher: Taylor & Francis Ltd

Opera and emotion are undeniably intertwined, with a rich tapestry of elements contributing to the emotional impact of the art form. From the dynamic plots crafted by energetic producers and directors to the conflicts and triumphs experienced by everyone involved in opera production, to the reactions and critiques of audience members, emotion permeates every aspect of opera. However, it is important to consider the influence of cultural practices on the ability of opera to evoke and move emotions.

In this two-volume collection of extended essays, we explore the intricate relationship between emotional experiences, discourses, displays, and expressions in opera, with a specific focus on Australia as a case study. Spanning approximately 170 years of opera production in Australia, the authors demonstrate that emotional significance is not universal but is, at least partly, produced, defined, and regulated by culture.

Volume I adopts a historical perspective, primarily focusing on the nineteenth century, while Volume II employs historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions from the twentieth century to the present day. By drawing threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a groundbreaking model for constructing emotion history from multiple disciplinary perspectives.

In Volume I, the authors delve into the historical context of opera production in Australia, examining how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have evolved over time. They explore how the operatic repertoire has adapted to changing cultural and social contexts, reflecting the nation's evolving identity and values.

Volume II takes a deeper dive into the emotional dimensions of Australian operas, exploring how composers, librettists, and performers have responded to the unique challenges and opportunities presented by the country's diverse cultural landscape. The authors examine the ways in which operas have been used to convey cultural identity, celebrate diversity, and address social issues, highlighting the ways in which they have contributed to the shaping of Australian society.

Through their comprehensive analysis, the authors demonstrate that opera is not merely a form of entertainment but a powerful tool for cultural expression and social commentary. They highlight the ways in which emotions are intertwined with cultural practices, shaping the way in which audiences interpret and experience opera. Opera, Emotion, and the Antipodes offers valuable insights into the complex relationship between opera, emotion, and culture, and serves as a testament to the enduring power of the art form to move and inspire audiences.

Weight: 480g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367681890