Origins of English Revenge Tragedy

This book explores how recognition of the dramatic person is involved in theatrical materiality and argues that the origins of English tragic drama cannot be understood without considering how the common player appears in it.

Format: Paperback / softback
Length: 272 pages
Publication date: 28 February 2021
Publisher: Edinburgh University Press

Charting a novel path between performance studies and literary criticism, this groundbreaking book delves into the intricate interplay between recognition of the dramatic person and theatrical materiality. It unveils how the moral complexity of revenge in plays such as The Spanish Tragedy, Hamlet, and The Duchess of Malfi is intricately linked to the challenge of discerning human shapes in both the theatrical realm and the written page. By intervening in a diverse array of ongoing debates within early modern studies, Oppitz-Trotman compellingly argues that a comprehensive understanding of the origins of English tragic drama necessitates a consideration of the role of the common player within it.

This exploration of the relationship between recognition of the dramatic person and theatrical materiality is a groundbreaking contribution to the field. By examining the moral difficulty of revenge in plays like The Spanish Tragedy, Hamlet, and The Duchess of Malfi, Oppitz-Trotman sheds light on the inseparable connection between the challenge of discerning human shapes in the theatre and on the page. Through his insightful arguments, Oppitz-Trotman challenges prevailing narratives and offers a fresh perspective on the origins of English tragic drama.

By delving into the role of the common player, Oppitz-Trotman expands our understanding of the theatrical landscape of early modern England. He demonstrates how the interactions between the actors and the audience shaped the development of tragic drama and contributed to its enduring impact. This book not only offers valuable insights into the literary world but also has implications for our broader understanding of performance and audience engagement.

In conclusion, Charting a New Course between Performance Studies and Literary Criticism is a must-read for scholars and enthusiasts alike. Through its innovative approach, Oppitz-Trotman provides a profound exploration of the complex relationship between recognition of the dramatic person and theatrical materiality. This book not only enriches our understanding of early modern drama but also has broader implications for the study of performance and literature.

Weight: 420g
Dimension: 154 x 234 x 25 (mm)
ISBN-13: 9781474441728