Paolo Scheggi: Making Spaces

This book is a reflection on Paolo Scheggis' (1940-1971) multidisciplinary research and his intense investigation developed over a decade, defining him as a young protagonist of the Italian spatialist and monochrome neo-avant-garde and pioneer of contemporary languages.

Format: Paperback / softback
Length: 380 pages
Publication date: 06 June 2023
Publisher: Silvana

A point, a hole, a gap. A cut, a gash, a wound. The gaze stretches out towards openings, discovers small and large concavities, focal lines converge and branch out between chromatic shadows and traces of light: we go with our eyes towards what wants to be looked at, the object of perceptive desire. […] The work as the starting point of a venture between what exists and what can only be imagined.

This book is a moment of reflection on Paolo Scheggis (1940-1971) multidisciplinary research and his intense investigation developed over little more than a decade: a seemingly insignificant stretch of time in the slow and irrevocable evolution of the history of modern and contemporary Western art which defines him as a very young protagonist of the Italian spatialist and monochrome neo-avant-garde, and pioneer of contemporary languages. Text in English and Italian.

Scheggis’s work is characterized by a strong sense of exploration and experimentation, as he sought to push the boundaries of artistic expression. He was particularly interested in the relationship between light and space, and how it could be used to create powerful and immersive visual experiences.

One of Scheggis’s most notable works is his series of monochrome paintings, which he began in the early 1960s. These paintings are characterized by their use of simple geometric shapes and bold, contrasting colors, creating a sense of tension and energy within the composition.

Scheggis’s work also explores the concept of perception and how it can be manipulated through the use of visual cues. He often used subtle variations in color and texture to create a sense of depth and dimension, and to draw the viewer’s attention to specific elements within the composition.

In addition to his paintings, Scheggis also worked in a variety of other mediums, including sculpture, installation, and performance. He was particularly interested in the relationship between the viewer and the artwork, and how it could be used to create a sense of intimacy and connection.

One of Scheggis’s most notable installations is his “Piano Nobile” (1967), which was created for the Venice Biennale. This installation consisted of a series of suspended white cubes, which were arranged in a grid pattern, creating a sense of order and structure within the space.

Scheggis’s work was highly influential on the development of contemporary art, and he is widely regarded as one of the most important artists of the 20th century. His innovative approach to visual expression and his exploration of the relationship between light and space have had a lasting impact on the field of art.

In conclusion, this book provides a comprehensive and insightful exploration of Paolo Scheggis’s multidisciplinary research and his innovative approach to artistic expression. It is a valuable resource for anyone interested in the history of modern and contemporary art, and in the development of contemporary languages.

Weight: 1636g
Dimension: 250 x 190 (mm)
ISBN-13: 9788836654208