Practices of Relations in Task-Dance and the Event-Score: A Critique of Performance

This book explores the concept of performance as an autonomous art form in the tradition of German aesthetics and critical theory, analyzing dance and performance practices from the 1960s through the lenses of Karl Marx, John Dewey, Immanuel Kant, Theodor Adorno, and Gilles Deleuze.

Format: Paperback / softback
Length: 170 pages
Publication date: 29 April 2022
Publisher: Taylor & Francis Ltd

This groundbreaking book takes a fresh and innovative approach to the concept of performance, delving into its intricate workings within performance studies and art theory. By adopting a critical lens, it constructs a comprehensive and nuanced concept of performance, viewing it as an autonomous art form in the vein of German aesthetics and critical theory. This comprehensive exploration spans a wide range of dance and performance practices, drawing from the rich tapestry of philosophies such as Karl Marx, John Dewey, Immanuel Kant, Theodor Adorno, and Gilles Deleuze. Through a philosophically informed analysis, the book sheds light on the complexities and nuances of these philosophical frameworks, offering valuable insights into the world of neo-avant-garde art performance. By blending critical theory and German aesthetics, this book provides a unique perspective on the artistic practices of our time, challenging readers to think critically and engage with the performative realm in new and exciting ways. Whether you are an artist, scholar, or simply someone with an interest in the intersection of philosophy and performance, this book is a must-read for anyone seeking to deepen their understanding of this dynamic and ever-evolving field.

Weight: 310g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367615475