Presence of the Past in French Art, 1870-1905: Modernity and Tradition

This book explores how art in early Third Republic France adapted styles from the past, with the classical being the predominant theme. It investigates how these styles were adapted into French visual culture, how the Republic customized classicism, and how progressive painters manipulated it for radical and reactionary readings. It considers artists of different character and type and a variety of media.

Format: Hardback
Length: 288 pages
Publication date: 05 November 2021
Publisher: Yale University Press

This groundbreaking book offers a fresh and captivating perspective on French art and society during a pivotal historical era. While the study of late nineteenth- and early twentieth-century French art often centers on a quest for modernity, Richard Thomson takes a novel approach by delving into how art in early Third Republic France embraced and adapted styles from the past. The classical emerges as the dominant theme, interspersed with other stylistic currents, such as Rubensian and Botticellian. It poses intriguing questions about how these styles, all derived from foreign art, found their way into French visual culture. The book also explores how the Republic tailored classicism to its ideological purposes and how progressive painters manipulated it for radical and reactionary interpretations.

The Presence of the Past in French Art 1870–1905​ takes a broad approach, encompassing artists of diverse backgrounds and styles. From Degas to Henner, Cézanne to Besnard, Roty to Seurat, Dalou to Maillol, a wide range of artists and mediums are explored, including painting, sculpture, medals, and celebrity photographs. This comprehensive examination opens up new avenues for interpretation in this captivating field.

By examining the interplay between art and society during this period, The Presence of the Past in French Art 1870–1905​ provides valuable insights into the complex dynamics of French culture and society. It sheds light on the ways in which artists responded to historical events, social changes, and artistic movements, and how their works reflected the values and aspirations of their time. The book also offers a deeper understanding of the role of art in shaping public perception and influencing political discourse.

In conclusion, this innovative book is a must-read for anyone interested in French art, history, and culture. It offers a fresh perspective on a popular period of art history, challenging traditional narratives and providing new insights into the complex relationships between art and society. Through its comprehensive examination of artists, styles, and media, The Presence of the Past in French Art 1870–1905​ offers a rich and rewarding experience for readers of all levels.

Weight: 1620g
Dimension: 226 x 281 x 31 (mm)
ISBN-13: 9780300257106