Rebecca

The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca explores the theme of return and the enduring power of the film, highlighting the contributions of women and queer erotics. Patricia White's analysis addresses the gap between perception and reality, emphasizing the films aesthetic impact and its relevance to modern discussions of gender and power.

Format: Paperback / softback
Length: 120 pages
Publication date: 06 May 2021
Publisher: Bloomsbury Publishing PLC

The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca, directed by Alfred Hitchcock, opens with a haunting echo of the novel's famous opening line: "Last night, I dreamt I went to Manderley again." In her essay, Patricia White delves into the enduring power of this cinematic masterpiece, exploring the theme of return as her central focus. Drawing on extensive archival research, White reveals how the production and reception history of Rebecca, the first collaboration between Hollywood movie producer David O. Selznick and British director Hitchcock, is marked by the significant contributions of women.

White offers a profound analysis of the film, delving into the gap between perception and reality that permeates the gothic romance. She highlights the queer erotics that circulate around the protagonist, Rebecca, as well as the enigmatic Mrs. Danvers, who looms over the narrative. White's discussion of the film's afterlives emphasizes its lasting aesthetic impact, while her attention to its remakes and sequels underscores the ongoing relevance of its vision of gender and power.

Rebecca remains a timeless masterpiece that continues to captivate audiences with its haunting narrative, atmospheric cinematography, and powerful performances. White's essay serves as a valuable contribution to the study of film adaptation and gender studies, offering a fresh perspective on this iconic film that has left an indelible mark on cinematic history.

Weight: 192g
Dimension: 136 x 190 x 8 (mm)
ISBN-13: 9781911239437