Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era

Reuse, Misuse and Abuse explores the ethical implications of repurposing audiovisual recordings, particularly when the recordings depict actual people and events. It examines a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications.

Format: Paperback / softback
Length: 218 pages
Publication date: 30 November 2020
Publisher: Rutgers University Press

In the vibrant tapestry of contemporary culture, we witness a constant interplay between the reimagining and repurposing of audiovisual recordings, raising profound ethical questions that demand our attention. These recordings, often capturing real people and events, become the raw material for new creative expressions, blurring the lines between original intent and artistic interpretation. While every reuse of a preexisting recording can be considered, at some level, a misapplication of the original creator's vision, it is important to recognize that not all misuses are inherently unethical. In fact, there exist numerous instances of productive misuse, where artists and filmmakers harness the power of existing footage to tell compelling stories and shed light on important issues. These instances often showcase a nuanced understanding of the ethical responsibilities that come with repurposing content, as they strive to honor the original intentions while also pushing the boundaries of creativity.

However, it is crucial to acknowledge that the line between misuse and abuse becomes increasingly blurred as we delve deeper into this realm. In some cases, the appropriation of preexisting footage crosses the boundaries of respect and consent, perpetuating harmful stereotypes, perpetuating misinformation, or even exploiting individuals for personal gain. These instances evoke a sense of discomfort and outrage, as they undermine the integrity and authenticity of the recorded experiences.

Documentary scholars have long grappled with the ethical responsibilities of documentary makers in relation to their subjects. However, the question of what happens when these responsibilities are set at a remove, when the recording already exists for the taking and repurposing, becomes particularly pertinent. Reuse, Misuse, and Abuse: An Exploration of Contemporary Filmmaking takes us on a journey through a diverse range of contemporary films and videos that appropriated preexisting footage, offering a thoughtful and provocative exploration of their ethical implications.

Through a comprehensive analysis of these works, the book delves into the complex web of ethical considerations that arise when artists and filmmakers repurpose preexisting material. It examines the various motivations behind such appropriations, from artistic experimentation to social commentary, and explores the ways in which these films and videos engage with the ethical responsibilities that come with their use.

One of the key themes that emerges from the book is the importance of transparency and consent in the reuse of preexisting footage. Artists and filmmakers must acknowledge the original creators and their intentions, seek permission for the use of their material, and provide proper credit and attribution. This not only respects the rights of the original creators but also fosters a sense of trust and respect between the artist and the audience.

Furthermore, the book raises important questions about the role of the audience in the ethical considerations of repurposing footage. It explores how viewers interpret and engage with these films and videos, and how their perspectives shape their understanding of the ethical implications of such appropriations. It encourages viewers to be critical and reflexive, to engage with the content on a deeper level, and to consider the broader

In conclusion, Reuse, Misuse, and Abuse: An Exploration of Contemporary Filmmaking is a thought-provoking and essential read for anyone interested in the ethical implications of repurposing audiovisual recordings in contemporary culture. Through a comprehensive analysis of a range of contemporary films and videos, the book offers a nuanced and insightful exploration of the complex web of ethical considerations that arise when artists and filmmakers appropriate preexisting footage. It encourages viewers to be critical and reflexive, to engage with the content on a deeper level, and to consider the ethical implications of their own creative practices. As we navigate the ever-evolving landscape of media and technology, it is crucial that we remain mindful of the ethical responsibilities that come with our use of preexisting material, and that we strive to create a culture that values creativity, respect, and empathy.

Weight: 322g
Dimension: 153 x 228 x 17 (mm)
ISBN-13: 9780813599267