Scientia & vaghezza im asthetischen Diskurs der Lombardei des Cinquecento: Zum Verhaltnis von bildkunstlerischer Praxis und textverfasster Theorie

Mira Becker-Sawatzky examines the relationship between theory and practice in early modern aesthetic discourse in Lombardy through multi-faceted case studies, analyzing historical media reflections and questions of knowledge. She explores the reordering of the hierarchy of knowledge, the plurality of the Paragone, the virulence of grotesque aesthetics, the conception of artistic styles, the dimensions of meaning of vaghezza, and the roots of the Ambrosiana in Milan.

Format: Hardback
Length: 667 pages
Publication date: 21 December 2021
Publisher: Vandenhoeck & Ruprecht GmbH & Co KG

The author delves into the intricate tapestry of early modern aesthetic discourse in Lombardy, employing a multi-faceted approach through captivating case studies. This comprehensive analysis explores the profound interplay between theory and practice, shedding light on historical media reflections and raising thought-provoking questions about knowledge. From the vantage point of art history, literary studies, and the history of knowledge, Mira Becker-Sawatzky embarks on a profound exploration of the relationship between visual art practice and textual theory, unveiling their intricate and sometimes discordant interplay.

To accomplish this, she skillfully weaves together a rich tapestry of artistic mediums, including painting, drawing, sculpture, poetry, and tractistics, each with its unique mediality and materiality. These diverse artistic expressions are meticulously arranged in thematic clusters, allowing for a comprehensive examination of their interconnections and mutual influences.

Within this analytical framework, Becker-Sawatzky delves into a myriad of topics, including the reordering of the hierarchical structure of knowledge, the flourishing of the Paragone, the haunting allure of grotesque aesthetics, the conception of artistic styles, the profound dimensions of meaning encoded in the concept of vaghezza, and the historical roots of the Ambrosiana in Milan. Each of these subjects is explored in depth, providing a comprehensive understanding of the artistic and intellectual landscape of early modern Lombardy.

Through her meticulous research and insightful analysis, Becker-Sawatzky offers a profound exploration of the complexities and contradictions that shaped early modern aesthetic discourse in Lombardy. This book serves as a valuable contribution to the field, enriching our understanding of the rich cultural heritage of this region and its profound impact on the broader artistic and intellectual landscape of Europe.

Dimension: 235 x 160 (mm)
ISBN-13: 9783525363935