Screendance from Film to Festival: Celebration and Curatorial Practice

This book explores the history of screendance festivals, highlighting key shifts in practice and theory, distinct festival eras, and the process of selecting and programming works.

Format: Paperback / softback
Length: 277 pages
Publication date: 07 February 2022
Publisher: McFarland & Co Inc

Dance and film have had a close and intertwined relationship since the birth of cinema, evolving into the genre known as screendance. This book delves into the history of screendance festivals, exploring significant shifts in practice and theory, distinct festival eras, and the intricate process of selecting and programming works.

The earliest forms of dance on film can be traced back to the silent era, where dancers were often depicted in silhouette or through expressive movements. However, it was not until the advent of sound technology that dance truly began to flourish on the silver screen. The first major dance film to achieve widespread acclaim was "The Black Swan" (1937), a ballet masterpiece directed by George Balanchine and starring the legendary dancer Anna Pavlova.

Since then, screendance has continued to evolve and diversify, with new styles and techniques emerging all the time. One of the most notable trends in screendance has been the integration of technology, with choreographers using digital tools and animation to create stunning visual effects. Another trend has been the increasing internationalization of screendance, with festivals and events taking place all over the world, bringing together dancers and filmmakers from different cultures and backgrounds.

Screendance festivals have played a crucial role in the development and promotion of screendance as a genre. These events provide a platform for dancers and filmmakers to showcase their work, connect with other artists, and receive critical acclaim. Over the years, screendance festivals have emerged in various countries, including the United States, Canada, Europe, and Asia.

One of the most well-known screendance festivals is the International Screendance Festival, which takes place annually in Belgium. This festival features a wide range of screendance works from around the world, including experimental films, dance documentaries, and performance pieces. Another notable festival is the Dance on Camera Festival, which takes place annually in New York City. This festival focuses on dance films and includes works from both emerging and established filmmakers.

In addition to these festivals, there are many other screendance events and initiatives that take place throughout the year. These include workshops, residencies, and exhibitions that showcase the work of screendance artists and provide opportunities for collaboration and learning.

Screendance has also had a significant impact on the broader dance community. Many choreographers and dancers have incorporated screendance techniques into their work, creating hybrid performances that blend live dance with digital media. Screendance has also been used as a tool for social and political commentary, with filmmakers using dance to explore issues such as identity, gender, and culture.

In conclusion, dance and film have had a rich and complex relationship since the birth of cinema, evolving into the genre known as screendance. Screendance festivals have played a crucial role in the development and promotion of this genre, providing a platform for dancers and filmmakers to showcase their work and connect with other artists. With its dynamic relationship between dance and technology, screendance continues to push the boundaries of what is possible in the art of filmmaking and dance.

Weight: 324g
Dimension: 152 x 228 x 16 (mm)
ISBN-13: 9781476669847