Shakespeare, Blackface and Race: Different Perspectives

The author explores the debate on blackface, race, and Othello in the Netherlands, comparing it to Anglo-centric Shakespeare performance studies. Through case studies, they analyze how blackface and racism interact in Dutch society and theatre, and how Othello has become an active player in this debate.

Format: Paperback / softback
Length: 75 pages
Publication date: 29 October 2020
Publisher: Cambridge University Press

The Element delves into the ongoing discussion surrounding blackface, race, and Othello, particularly in the context of Shakespeare performance studies. While Anglo-centric approaches have dominated this field, the author highlights how the debate has taken a distinctively different trajectory in the Netherlands, a nation historically regarded as tolerant and culturally aligned with the UK. Through a series of case studies, encompassing notable productions such as the Van Hove Othello from 2003/2012 and the recent, contentious 2018/2020 Othello, the first main house production featuring a black actor in the title role, the author examines the intricate interplay between blackface and institutional racism within Dutch society and theater. Moreover, the author explores how Othello has emerged as a powerful catalyst in this ongoing debate.

The historical perception of the Netherlands as tolerant and culturally close to the UK sets the stage for the exploration of the evolving debate surrounding blackface, race, and Othello. The author delves into the historical context, examining how cultural norms and attitudes have shaped the interpretation and performance of Shakespeare's plays in the Netherlands. The use of blackface in theater has a complex and nuanced history, with varying interpretations and practices across different periods and regions.

One of the key case studies examined in the Element is the Van Hove Othello, a production that received significant attention and controversy in 2003/2012. Directed by Michael Van Hove, this production featured a black actor in the title role, a departure from traditional casting practices. The author analyzes the reception of this production, exploring how it sparked both positive and negative reactions from audiences and critics alike. The use of blackface in this production was met with criticism for perpetuating harmful stereotypes and perpetuating racist attitudes. However, some viewers argued that it was a bold and innovative approach to reimagining Shakespeare's classic play, highlighting the universality of the themes and characters.

The 2018/2020 Othello production, which featured a black actor in the title role for the first time in the Netherlands, added a new dimension to the debate. This production, directed by Ivo van Hove, aimed to address the historical representation of race and ethnicity in theater and explore the impact of colonialism and slavery on the characters and themes of the play. The author analyzes the response to this production, examining how it challenged traditional notions of race and identity and sparked further discussions about the role of theater in addressing social and cultural issues.

Through these case studies, the author highlights the complex interplay between blackface and institutional racism in Dutch society and theater. The use of blackface has been both a tool for artistic expression and a means of perpetuating harmful stereotypes. However, the author argues that Othello has become an active player in this debate, offering a platform for exploring and challenging these issues. The play's themes of race, identity, and power resonate with contemporary audiences, making it an ideal vehicle for addressing these complex issues.

The Element also explores the role of theater in shaping public discourse and promoting social change. Theater has the power to challenge societal norms and promote empathy and understanding. By presenting diverse perspectives and challenging dominant narratives, theater can contribute to the ongoing dialogue about race and identity. The author argues that Othello has played a significant role in shaping public discourse on race and identity in the Netherlands, highlighting the importance of theater as a tool for promoting social change.

In conclusion, the Element provides a comprehensive analysis of the debate surrounding blackface, race, and Othello in the Netherlands. Through a series of case studies and a thoughtful exploration of the historical and cultural context, the author highlights the complex interplay between blackface and institutional racism in Dutch society and theater. Othello emerges as a powerful catalyst in this debate, offering a platform for exploring and challenging these issues and promoting social change. The Element encourages readers to consider the broader implications of these discussions and the role of theater in shaping our understanding of race and identity.

Weight: 104g
Dimension: 127 x 177 x 8 (mm)
ISBN-13: 9781108827829