Soundtracked Books from the Acoustic Era to the Digital Age: A Century of "Books That Sing"

This book explores the intersection of sound and literature, challenging assumptions about reading, listening, and the processes of choice and interpretation. It appeals to a range of subjects and has a compelling writing style that draws readers into its central argument about media production and consumption.

Format: Hardback
Length: 176 pages
Publication date: 16 June 2022
Publisher: Taylor & Francis Ltd

This groundbreaking and interdisciplinary study presents a novel approach to recorded sound, challenging our preconceived notions about reading, listening, and the processes of choice and interpretation. The convergence of sound and literature will captivate a diverse array of disciplines, including sound studies, cultural studies, media studies, and literature. The engaging and lively writing style immerses readers in a compelling central argument about the production and consumption of media, both commercially and hermeneutically.

Introduction:
The study of recorded sound has long been a rich and complex field, encompassing a wide range of topics such as music, speech, sound design, and audio engineering. However, despite the vast amount of research and analysis that has been conducted in this area, there remains a significant gap in our understanding of how recorded sound interacts with the literary sphere. This study aims to bridge that gap by exploring the ways in which recorded sound can be used as a literary device, and how it can be interpreted and analyzed in a literary context.

The Intersection of Sound and Literature:
The intersection of sound and literature is a fascinating and dynamic area of study, offering a fresh perspective on the processes of reading, listening, and interpretation. By examining the ways in which recorded sound can be used to evoke emotions, create atmosphere, and shape narrative, we can gain a deeper understanding of the ways in which literature and sound work together to create meaning.

Challenging Assumptions:
One of the key challenges of this study is to challenge our assumptions about how we read and listen to recorded sound. We often assume that sound is a passive medium that is simply there to be consumed, without considering the active role that it can play in shaping our interpretation of a text. This study aims to demonstrate that recorded sound can be used as a powerful tool for creating meaning and for shaping our understanding of a text.

Sound Studies:
Sound studies is a growing field that explores the relationship between sound and culture, and how it is produced, consumed, and interpreted. This study draws on the insights of sound studies to explore the ways in which recorded sound can be used as a literary device, and how it can be interpreted and analyzed in a literary context.

Cultural Studies:
Cultural studies is another discipline that is closely related to the study of recorded sound, as it explores the ways in which culture is produced, reproduced, and consumed. This study draws on the insights of cultural studies to explore the ways in which recorded sound can be used to represent and critique cultural norms and values.

Media Studies:
Media studies is a field that explores the relationship between media and society, and how it is produced, distributed, and consumed. This study draws on the insights of media studies to explore the ways in which recorded sound can be used to shape public opinion and to create social change.

Literature:
Literature is, of course, the primary focus of this study, as it is the medium through which recorded sound is most commonly encountered. This study draws on the insights of literary theory and criticism to explore the ways in which recorded sound can be used to enhance the literary experience, and how it can be interpreted and analyzed in a literary context.

Conclusion:
In conclusion, this groundbreaking and interdisciplinary study offers a fresh perspective on recorded sound, challenging our assumptions about reading, listening, and the processes of choice and interpretation. The convergence of sound and literature will appeal to a range of subjects including sound studies, cultural studies, media studies and literature. The crisp and lively writing style draws readers into a compelling central argument regarding how media is produced and consumed, both commercially and hermeneutically. By exploring the ways in which recorded sound can be used as a literary device, and how it can be interpreted and analyzed in a literary context, we can gain a deeper understanding of the ways in which literature and sound work together to create meaning.

Dimension: 234 x 156 (mm)
ISBN-13: 9781032101699