Space and Time in African Cinema and Cine-scapes

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This book explores how cinema creates and represents time and space, particularly in African and African diasporic cinema, and offers new insights into the issues and problems posed by scientists when faced with the basic questions of what space and time are.

Format: Hardback
Length: 238 pages
Publication date: 28 June 2022
Publisher: Taylor & Francis Ltd

Renowned African cinema scholar Kenneth W. Harrow takes readers on a thought-provoking journey through the complex world of space and time in film, with a special emphasis on African and African diasporic cinema. Through a series of captivating case studies, Harrow delves into the intricate ways in which cinema shapes and represents time and space, particularly in the context of African landscapes and figures. He reflects on the challenges and complexities scientists face when grappling with fundamental questions about the nature of space and time, offering valuable insights for film studies scholars and African studies scholars alike. By transcending the boundaries of a postcolonial and cultural framework, Harrow showcases how a scientific understanding of time and space can unlock new avenues for exploring African cinema and cinema in general.

This groundbreaking work challenges readers to think critically about the role of space and time in cinematic narratives and explores how they are used to convey meaning, evoke emotions, and create powerful visual experiences. Harrow's analysis is grounded in a deep understanding of both film theory and African studies, providing a comprehensive framework for understanding the complex interplay between these two disciplines.

One of the key strengths of this book is its ability to bridge the gap between scientific and artistic perspectives on space and time. Harrow draws on insights from various fields, including physics, philosophy, and cultural studies, to provide a multi-dimensional understanding of how cinema shapes and represents these concepts. This interdisciplinary approach allows readers to gain a deeper appreciation of the complex relationships between science, technology, and culture and how they contribute to the creation of cinematic narratives.

Another notable aspect of this book is its attention to the specificities of African and African diasporic cinema. Harrow recognizes the unique challenges and opportunities that these films face in terms of representing space and time, and he offers insightful analysis of how these films negotiate these challenges and exploit their unique qualities. Through a series of case studies, Harrow demonstrates how African and African diasporic cinema use space and time to create powerful narratives that reflect the complex histories, cultures, and experiences of African communities.

In conclusion, this book is a must-read for anyone interested in the intersection of space and time in cinema, particularly in the context of African and African diasporic cinema. Kenneth W. Harrow's innovative approach to the subject offers fresh insights and perspectives that will inspire and challenge readers alike. By exploring the complex relationships between science, technology, and culture, this book provides a valuable contribution to the field of film studies and African studies.

Weight: 621g
Dimension: 229 x 152 (mm)
ISBN-13: 9781032264707