Staging 'Euridice': Theatre, Sets, and Music in Late Renaissance Florence
Staging 'Euridice': Theatre, Sets, and Music in Late Renaissance Florence
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- More about Staging 'Euridice': Theatre, Sets, and Music in Late Renaissance Florence
Euridice was an opera commissioned to celebrate the wedding of Maria de Medici and King Henri IV of France in Florence in 1600. This book uses newly-discovered documents to reconstruct the original stage and sets in the Palazzo Pitti, exploring how the singers, instrumentalists, audience, and things changed from creation to performance.
\n Format: Hardback
\n Length: 280 pages
\n Publication date: 02 December 2021
\n Publisher: Cambridge University Press
\n
Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de Medici and King Henri IV of France in Florence in October 1600. As the first opera to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging "Euridice" explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.
Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de Medici and King Henri IV of France in Florence in October 1600. As the first opera to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging "Euridice" explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.
\n Weight: 674g\n
Dimension: 176 x 250 x 22 (mm)\n
ISBN-13: 9781316515402\n \n
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