Taking Place: Building Histories of Queer and Feminist Art in North America

Taking place explores feminist and queer alternative art spaces in Canada and the United States from the late-1960s to the present, examining how contemporary artists engage with and challenge inherited institutions.

Format: Hardback
Length: 200 pages
Publication date: 07 February 2023
Publisher: Manchester University Press

Taking place explores feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It delves into how queer and feminist artists working in the contemporary era engage with, respond to, and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates diverse interpretations of 'alternative space' and the potential it holds for queer and feminist artistic imaginations.

The book begins by tracing the historical roots of feminist and queer alternative art spaces, highlighting the emergence of these spaces as a response to the marginalization and exclusion of marginalized communities within mainstream art institutions. It explores the ways in which these spaces have challenged traditional notions of art and aesthetics, promoting a more inclusive and diverse representation of the human experience.

One of the key themes of the book is the relationship between queer and feminist artists and the institutions they have inherited. It examines how these artists have negotiated the complexities of working within these institutions, while also challenging them from within. The book explores the ways in which queer and feminist artists have used their art to raise awareness about social and political issues, such as gender inequality, racism, and LGBTQ+ rights.

Another theme of the book is the role of technology in shaping feminist and queer alternative art spaces. It explores how digital technologies have enabled artists to create new forms of expression and connect with broader audiences. The book also examines the challenges and opportunities that come with the digital age, such as the potential for surveillance and censorship, and the need for artists to navigate the complexities of online platforms and social media.

Throughout the book, regional case studies are used to examine the specific contexts and challenges faced by feminist and queer alternative art spaces in different parts of the country and the world. These case studies include examples of artists, organizations, and collectives that have played a significant role in shaping the landscape of alternative art. The book also provides insights into the political and social contexts that have influenced the development of these spaces, including the feminist movement, LGBTQ+ rights movement, and the broader cultural landscape.

In conclusion, Taking place offers a comprehensive and interdisciplinary exploration of feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It provides a rich and nuanced understanding of the ways in which these spaces have challenged traditional institutions, promoted inclusivity and diversity, and shaped the artistic landscape. The book is a valuable resource for scholars, artists, and activists interested in the intersection of art, politics, and social justice.

Weight: 558g
Dimension: 241 x 161 x 19 (mm)
ISBN-13: 9781526162380