The Acoustic Self in English Modernism and Beyond: Writing Musically

This book explores the concept of the acoustic self in modernist English novels, drawing on the analogy between musical meaning-making and human subjectivity. It argues that musical characterization and structure are related to issues of subject-representation and addresses modernist dilemmas around selfhood and identity through three musical topics: fugue, absolute music, and Gesamtkunstwerk. Examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, as well as musicians Bach, Beethoven, Handel, and Wagner, are used to illustrate the manifestations of the acoustic self. An additional chapter on jazz and electronic music extends the inquiry into musical intermediality and recent sonic practices. The book appeals to students and scholars interested in the interface of language and music, intermediality, multimodality, literary studies, critical theory, and modernist studies.

Format: Hardback
Length: 138 pages
Publication date: 18 February 2022
Publisher: Taylor & Francis Ltd

Drawing on the profound analogy between musical meaning-making and the intricate tapestry of human subjectivity, this captivating book embarks on a groundbreaking exploration of the concept of the acoustic self. It delves into the intricate connections between musical characterization and structure and the profound issues of subject-representation in the modernist English novel. The volume is meticulously structured around three musical topics: the fugue, absolute music, and Gesamtkunstwerk, each of which offers a unique perspective on modernist dilemmas surrounding selfhood and identity. Through a thoughtful and nuanced analysis, Varga sheds light on the diverse manifestations of the acoustic self in the works of renowned authors such as E.M. Forster, Aldous Huxley, and Virginia Woolf, as well as in the musical compositions of iconic figures such as Bach, Beethoven, Handel, and Wagner.

In addition to its insightful examination of literary and musical interconnections, this book includes an additional chapter dedicated to jazz and electronic music. This chapter extends the boundaries of the acoustic self beyond the confines of modernism, fostering further discussion and theorization of musical intermediality. It also sheds light on the evolving sonic practices of our contemporary world, contributing to a more comprehensive understanding of the complex interplay between music, representation, and language.

This book is a treasure trove for students and scholars alike, with its rich insights and interdisciplinary approach. It appeals to those with a deep interest in the interface of language and music, encompassing areas such as intermediality, multimodality, literary studies, critical theory, and modernist studies. By unraveling the intricate tapestry of musical meaning-making and human subjectivity, this book offers a profound exploration of the human experience, challenging our preconceptions and expanding our horizons. Prepare to be captivated by the resonant melodies that weave through the pages of this extraordinary work, as it invites you to embark on a journey of discovery and enlightenment.

Weight: 431g
Dimension: 229 x 152 (mm)
ISBN-13: 9781032025841