The Cambridge Companion to Seventeenth-Century Opera

The Cambridge Companion to Seventeenth-Century Opera provides an essential introduction to the birth of opera and its developments during the first century of its existence, charting the changing landscape on stage and beyond that shaped the way it was produced and received. It is a valuable resource for undergraduate and graduate students, amateur and professional musicians, and anyone interested in the history of opera.

Format: Hardback
Length: 320 pages
Publication date: 22 December 2022
Publisher: Cambridge University Press

The Cambridge Companion to Seventeenth-Century Opera is a vital and indispensable guide to one of the most pivotal periods in Western musical history, the emergence and evolution of opera during the first century of its existence. Spanning from the Italian roots of opera to its widespread proliferation across Europe and the Americas, this comprehensive volume meticulously charts the shifting landscape that shaped the production and reception of opera. From its sixteenth-century antecedents to the threshold of the eighteenth century, this groundbreaking book offers a broad yet detailed exploration of the various facets of early opera, providing valuable insights for both novice and seasoned enthusiasts. Whether you are an undergraduate or graduate student, an amateur or professional musician, or simply a passionate admirer of the art form, this companion will undoubtedly serve as a valuable resource for further study.

Opera, a captivating art form that emerged in the early seventeenth century, holds a significant place in the history of Western music. This comprehensive companion, authored by esteemed scholars, provides a thorough introduction to the world of opera during this transformative era.

The book begins by delving into the origins of opera, tracing its roots back to the Italian Renaissance. It explores the influence of classical music, religious practices, and social customs on the development of this genre, highlighting the contributions of influential composers such as Claudio Monteverdi, Jacopo Peri, and Giovanni Battista Pergolesi.

As opera spread across Europe, it underwent significant transformations. The influence of French and Spanish styles, as well as the emergence of new theatrical forms, shaped the evolution of opera. The book examines the impact of these changes on the works of composers such as Jean-Baptiste Lully, Jean-Philippe Rameau, and Christoph Willibald Gluck.

Opera also played a significant role in the cultural and social life of seventeenth-century Europe. It was a medium through which the aristocracy showcased their wealth and power, while also providing entertainment for the masses. The book explores the social and political implications of opera, examining how it was used to promote national identity, celebrate royal marriages, and criticize societal norms.

Furthermore, the Cambridge Companion to Seventeenth-Century Opera delves into the performance practices of opera during this period. It discusses the role of singers, musicians, and stage directors in creating the illusion of the on-stage world, as well as the technical challenges faced by performers and producers. The book also provides insights into the audience's expectations and preferences, shedding light on the popularity and influence of opera during this era.

In conclusion, The Cambridge Companion to Seventeenth-Century Opera is an essential resource for anyone interested in exploring the birth and evolution of opera during the early seventeenth century. With its comprehensive coverage of the genre's historical, musical, and cultural aspects, the book offers valuable insights into the many facets of this art form. Whether you are a student, musician, or simply a lover of opera, this companion will enhance your understanding and appreciation of this captivating era.

ISBN-13: 9780521823593