The English Theatrical Avant-Garde 1900-1925

The English Theatrical Avant-Garde, 1900–1925, reveals previously forgotten or ignored theatre practices, showcasing well-known figures in a new light. It presents a model of communal inclusion based on diversity, introducing new figures and reinterpreting familiar ones. This book is essential for scholars and students of early twentieth-century theatre.

Format: Paperback / softback
Length: 168 pages
Publication date: 30 December 2022
Publisher: Taylor & Francis Ltd

The English theatrical avant-garde, spanning from 1900 to 1925, unveils a wealth of previously overlooked or disregarded theatrical practices, shedding light on renowned figures of early twentieth-century English theatre in a remarkably fresh perspective. Through its comprehensive exploration, the book vividly portrays an unparalleled intensity of innovation and experimentation, which together transformed the Edwardian theatre into a more radical and queer realm than previously imagined.

While much of the literature on the early twentieth-century theatrical avant-garde focuses on European movements and experiments, English activity during this period is often perceived as parochial and conservative, with a predominant emphasis on realism and issue-based drama. This book presents a groundbreaking model of avant-garde practices, departing from traditional notions of masculine individualism and embracing communal inclusion as its foundation.

In unraveling this captivating material, the author introduces a host of new figures, while also reinterpreting familiar ones in unique ways. Among these are Florence Farr, an independent woman who defied societal conventions; Bob Trevelyan, a radical pacifist and pioneer of music drama; Granville Barker, who blended fairy plays with de-dramatization, challenging traditional theatrical norms; Laurence Housman, a socialist, homosexual, and scriptwriter of St. Francis, exploring unconventional themes; and J.M. Barrie, whose innovative theatrical style foreshadowed the modernist movement.

Together, these individuals and their diverse theatrical practices created a theatrical avant-garde that was rich in its diversity yet consistently sought to be new. Their relentless pursuit of innovation resulted in a theatrical landscape unlike any other, leaving an indelible mark on the history of early twentieth-century theatre in England and beyond.

This groundbreaking study is a vital and indispensable resource for scholars and students of early twentieth-century theatre, offering a fresh perspective on a period that has been largely overlooked in academic discourse. Its comprehensive analysis and insightful revelations make it a must-read for anyone interested in exploring the rich tapestry of theatrical experimentation and innovation during this transformative era.

Weight: 331g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367470852