The Language of Architectural Classicism: From Looking to Seeing

Classicism is a rich language of form that can be found in many places, from the facade of Selfridges to the letterhead of The Times. This book explores the pleasures and problems of post-medieval architectural classicism, its rigor and flexibility, its perfections and incompleteness, its continuities and innovations, and its expressiveness. It discusses how Renaissance architects produced canonical versions of the orders and how the highly regulated language of classicism can sustain the originality of Michelangelo, Soane, and John Simpson. It also examines the various treatments of the wall and of lettering on classical buildings and concludes with a chapter on architectural backgrounds in Quattrocento art.

Format: Hardback
Length: 288 pages
Publication date: 22 February 2024
Publisher: Lund Humphries Publishers Ltd

Classicism is an omnipresent force, evident in the grandeur of Selfridges' facade, the elegant typography of The Times, and the adorned porches of neo-Georgian housing estates. This captivating book invites readers to embark on a journey of discovery, unveiling a rich language of form that awaits revelation in their everyday surroundings.

In this comprehensive exploration, the book delves into the pleasures and complexities of post-medieval architectural classicism, examining its rigorous discipline and remarkable flexibility. It explores the perfect and imperfect aspects of this architectural style, its enduring continuities and innovative breakthroughs, as well as its ability to convey a wide range of emotions, from the camp to the sublime. By eschewing traditional chronological, biographical, or stylistic arrangements, the book fosters connections between familiar art historical periods, encouraging a close examination of the buildings and their intricate details. Through this meticulous approach, valuable generalizations emerge, shedding light on the timeless principles of classical architecture.

The book also delves into the fascinating process by which Renaissance architects approached the vast expanse of classical antiquity, synthesizing canonical versions of the orders to establish a systematic method of designing in the antique manner. It raises questions about how the highly regulated language of classicism can accommodate the originality of artists such as Michelangelo, Soane, and John Simpson. Additionally, the book explores the intricate relationship between the human body and classical architecture, examining how the principles of balance, proportion, and symmetry manifest in architectural designs.

The book further examines the diverse treatments of walls and lettering on classical buildings, highlighting the craftsmanship and artistry that went into their creation. It concludes with a chapter on architectural backgrounds in Quattrocento art, shedding light on how this artistic period influenced the way in which classical buildings were perceived and interpreted. This insightful exploration invites readers to adopt a fresh perspective on painting and sculpture, appreciating the deeper connections between these art forms and the architectural heritage that surrounds us.

In summary, this book offers a captivating exploration of classicism, inviting readers to discover the beauty and intricacies of this architectural style in their everyday surroundings. It provides a comprehensive understanding of classicism's principles, its historical development, and its enduring influence on art and architecture. Through its meticulous analysis and thoughtful insights, the book encourages a deeper appreciation of the classical tradition and its profound impact on our world.

Weight: 1010g
Dimension: 179 x 248 x 26 (mm)
ISBN-13: 9781848226593