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Randy McNutt

The Language of Vinyl: Record Industry Terms and Phrases of the Golden Era

The Language of Vinyl: Record Industry Terms and Phrases of the Golden Era

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  • More about The Language of Vinyl: Record Industry Terms and Phrases of the Golden Era

The dictionary collects the colorful and almost forgotten language used by record producers, label owners, disc jockeys, jukebox operators, record distributors, and others in the music industry from 1949 to the mid-1980s.

Format: Paperback / softback
Length: 194 pages
Publication date: 01 June 2021
Publisher: McFarland & Co Inc


Ever heard of a butt splice? A cover? An iron mother? A biscuit? These were terms used in the heyday of vinyl records, from 1949 to the mid-1980s. This colorful and almost forgotten language was once used by record producers, label owners, disc jockeys, jukebox operators, record distributors, and others in the music industry. Their language is collected in this dictionary. Each entry offers both an explanation of a term's meaning as well as its context and use in the history of the record business.

In the golden age of vinyl records, from 1949 to the mid-1980s, a vibrant and almost forgotten language emerged within the music industry. This unique vocabulary was coined by record producers, label owners, disc jockeys, jukebox operators, record distributors, and countless others who played pivotal roles in shaping the world of recorded music. Their words, now preserved in this dictionary, offer a glimpse into the rich tapestry of terminology that adorned the record business during that era.

These terms, such as "butt splice," "cover," "iron mother," and "biscuit," were integral to the daily operations and conversations of those involved in the record industry. They carried specific meanings and connotations that were essential for understanding the nuances of record production, distribution, and playback. Butt splices, for instance, were a technique used to join two ends of a vinyl record together seamlessly, often without the use of glue or tape.

Covers, on the other hand, were artistic interpretations of record albums, often featuring photographs or artwork that reflected the musical style or themes of the album. Iron mothers, a type of record player, were known for their durability and reliability, making them a staple in jukeboxes and other music-playing establishments. Biscuits, a term used to describe the small, circular pieces of paper that were inserted between the grooves of vinyl records to prevent skips and jumps, played a crucial role in maintaining the quality of playback.

The language of the record industry was not just a matter of technical jargon; it was a reflection of the culture, values, and traditions that shaped the music industry during that era. It was a language that was born out of collaboration, innovation, and a deep passion for music. As the vinyl record era came to an end, this language began to fade into obscurity, but its legacy remains a testament to the creativity and dedication of those who worked tirelessly to bring music to the masses.

Today, as we navigate the digital age of music, it is important to remember the rich history and heritage of the record industry. The terms and phrases that were once commonplace in the world of vinyl records continue to hold significance, reminding us of the evolution of music technology and the enduring impact of the music itself. This dictionary serves as a valuable resource for anyone interested in exploring the world of vinyl records and the language that shaped its history.

Weight: 365g
Dimension: 229 x 152 x 10 (mm)
ISBN-13: 9781476685724

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