The Materiality of Exhibition Photography in the Modernist Era: Form, Content, Consequence

This book explores the materiality of exhibited photographs from the early to mid-twentieth century, challenging the status quo and revealing them as social objects with integral and essential meanings. It will interest scholars in art history, history of photography, theory of photography, curatorial studies, and museum studies.

Format: Paperback / softback
Length: 140 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This captivating book delves into the intricate realm of the materiality of exhibited photographs, challenging the established norms and redefining the role of photography within museums throughout the early to mid-twentieth century. Through a historical lens, Laurie Taylor meticulously explores the ways in which materiality, rather than mere image, was employed to elevate the exhibited photograph to the status of either an artistic masterpiece or a valuable source of non-art information. This insightful exploration unveils the exhibited photograph as a social object, akin to its vernacular counterparts, whose physical form holds a profound significance in the generation of meaning.

The book appeals to a wide range of scholars and enthusiasts, including art historians, historians of photography, theorists of photography, curators, and museum studies experts. Its comprehensive analysis and thoughtful insights shed light on the evolving relationship between photography and the museum, providing valuable perspectives on the historical, artistic, and cultural dimensions of this dynamic field.

By examining a selection of compelling examples from this period, Taylor highlights the ways in which materiality shaped the perception and interpretation of exhibited photographs. She explores the significance of the photograph's physical characteristics, such as its size, texture, and framing, in creating a sense of presence and intimacy with the viewer. Moreover, she delves into the complex interplay between the photograph and its surrounding environment, examining how the museum's architectural design, lighting, and display techniques contribute to the overall meaning-making process.

Through her meticulous research and analytical approach, Taylor offers a fresh perspective on the materiality of exhibited photographs, challenging the notion that it is merely a supporting element. Instead, she argues that materiality plays a vital role in shaping the photograph's identity, value, and meaning, making it an integral component of the artistic and cultural discourse.

This book is a valuable resource for anyone seeking to deepen their understanding of the complex relationship between photography and the museum. It provides a wealth of insights and perspectives, fostering a deeper appreciation for the role of photography in shaping our understanding of the world and its history. Whether you are an academic, a photographer, a curator, or simply a passionate admirer of art and culture, this book will captivate and inspire you.

Weight: 453g
Dimension: 246 x 174 (mm)
ISBN-13: 9780367682798