The Modern Brass Ensemble in Twentieth-Century Britain

The first study of the performance practice, repertoire, and context of the modern brass ensemble in the musical world. It focuses on the London-based Philip Jones Brass Ensemble, which emerged in the late twentieth century and played a combination of Gabrieli, Elliott Carter, Maxwell Davies, and Lutosławski.

Format: Hardback
Length: 220 pages
Publication date: 27 September 2022
Publisher: Boydell & Brewer Ltd

The study of the performance practice, repertoire, and context of the modern brass ensemble in the musical world has been a subject of significant interest. While the British brass band originated in the nineteenth century and quickly became a nationwide working-class movement, the perceived modern brass ensemble has a less clear foundation and identity. This book is the first to dedicate its attention solely to the performance, practice, repertoire, and context of the brass ensemble in the musical world.

Following World War II, the brass quintet and other orchestral groupings emerged in the United States and Europe, with musical customs established by professional players playing orchestral instruments. These groups initially played a combination of the music of Gabrieli and his contemporaries as well as newly commissioned works. By the late twentieth century, the repertoire had expanded to include works by Elliott Carter, Maxwell Davies, and Lutosławski, as well as music that integrated jazz, commercial elements, and landmark transcriptions.

At the book's heart is the story of the London-based, internationally acclaimed Philip Jones Brass Ensemble. However, this is not a story of one ensemble, as the brass ensemble can be defined in several forms. The Modern Brass Ensemble in Twentieth-Century Britain offers a comprehensive account by an author and performer who was involved in many of the key developments of the modern brass ensemble.

The book begins by exploring the historical background of the brass ensemble, including its origins in the military bands and its evolution into a musical form. It then delves into the various types of brass ensembles, such as the brass quintet, brass choir, and brass orchestra, and discusses their respective roles and characteristics.

The performance practice of the modern brass ensemble is examined in detail, including the techniques used by musicians, the rehearsal process, and the challenges faced by performers. The repertoire of the ensemble is explored, with a focus on the works commissioned and performed by contemporary composers.

The context of the modern brass ensemble is also examined, including its relationship to other musical genres, such as jazz and classical music, and its impact on popular culture. The book also discusses the role of the brass ensemble in educational institutions and its contribution to the development of young musicians.

Throughout the book, numerous examples of brass ensembles and their performances are provided, showcasing the diversity and creativity of the genre. The author's personal experiences and insights are also woven into the narrative, providing a unique perspective on the modern brass ensemble.

In conclusion, The Modern Brass Ensemble in Twentieth-Century Britain is a valuable resource for musicians, music scholars, and anyone interested in the history and development of the brass ensemble. By providing a comprehensive account of the performance practice, repertoire, and context of the modern brass ensemble, the book offers a deeper understanding of this fascinating musical genre and its place in the musical world.

Dimension: 234 x 156 (mm)
ISBN-13: 9781783277346