The Museum of Other People: From Colonial Acquisitions to Cosmopolitan Exhibitions

A history of how foreign and prehistoric peoples were represented in anthropology museums, including their displays of arts and artifacts, dioramas, special exhibitions, and skulls and skeletons. It explores the purpose of these museums today and how they can help us understand and appreciate other cultures.

Format: Paperback / softback
Length: 432 pages
Publication date: 01 February 2024
Publisher: Profile Books Ltd

A captivating and thought-provoking exploration of the representation of foreign and prehistoric peoples in anthropology museums, this book delves into the historical, cultural, and ethical dimensions of these institutions. Authored by Nigel Barley, a renowned author known for his insightful works, "The Innocent Anthropologist" has been hailed as a formidable masterpiece by critics. Richard Lambert, a prominent financial journalist, also praised the book, describing it as a magnificent and moving survey. Felipe Fernández-Armesto, a renowned historian and scholar, further commended it as a magnificent and captivating survey.

"Museums of Anthropology: A History of Representation" is a profound and nuanced work that sheds light on the evolution of these museums from their colonial origins to their present-day significance. The author, drawing upon a lifetime of research and scholarship, delves into the complex issues surrounding race, colonialism, difference, and cultural appropriation. Through meticulous analysis and thoughtful storytelling, Barley offers a nuanced and original perspective on these topics, challenging readers to confront their own biases and assumptions.

One of the central themes of the book is the purpose and significance of anthropology museums today. Initially established as colonial enterprises, these institutions have evolved over time to serve different purposes. While some argue that they should be closed or repurposed, others advocate for their continued existence and relevance. Barley explores these arguments and suggests that museums can play a vital role in promoting cultural understanding, education, and appreciation.

However, the author also raises critical questions about the ethical implications of displaying artifacts and artworks from other cultures. He questions the notion of cultural appropriation, where dominant cultures borrow elements from marginalized or oppressed groups without proper understanding or consent. Barley argues that museums must be accountable for their role in perpetuating colonialism and inequality and must work towards decolonizing their collections and exhibitions.

The book also provides a wealth of historical and cultural insights into the representation of foreign and prehistoric peoples in anthropology museums. Barley explores the ways in which these museums have perpetuated stereotypes, biases, and misconceptions about different cultures, and how they have contributed to the erasure and marginalization of indigenous peoples. He also highlights the contributions of marginalized and oppressed groups in shaping the history and development of anthropology museums.

In conclusion, "Museums of Anthropology: A History of Representation" is a must-read for anyone interested in the intersection of culture, history, and ethics. Through its insightful analysis and compelling storytelling, Barley offers a valuable contribution to the ongoing debate about the representation of foreign and prehistoric peoples in anthropology museums. This book will inspire and challenge readers to think critically about the role of these institutions in shaping our understanding of the world and the diverse cultures that inhabit it.

Weight: 340g
Dimension: 129 x 198 x 42 (mm)
ISBN-13: 9781800810938
Edition number: Main