The Printer as Author in Early Modern English Book History: John Day and the Fabrication of a Protestant Memory Art

John Day, the master printer of England's Reformation, produced influential books such as the Book of Martyrs, England's first printed emblem book, and Queen Elizabeth's Prayer Book. He mobilized the typographical imaginary to establish a Protestant Memory Art, combining book trade skills, commitment to evangelical nation-building, and business acumen.

Format: Paperback / softback
Length: 232 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This groundbreaking work is the first to explore the use of mnemotechnic cultural commonplaces to account for the visual aesthetics, stylistic choices, and authorized content of some of the most influential books produced in early modern Britain. John Day, a versatile individual who served as a stationer, publisher, entrepreneur, and author, played a pivotal role in the printing industry during the English Reformation. As the master printer of England, he produced a remarkable array of publications, including the premier navigation handbook, state-approved catechism, and metrical psalms. Notably, he also authored the Book of Martyrs, which marked the first printing of an emblem book in England, and Queen Elizabeth's Prayer Book.

Day's exceptional skills in the book trade, combined with his unwavering commitment to evangelical nation-building and astute business acumen, propelled him to mobilize the typographical imaginary. Through his endeavors, he established a powerful and enduring Protestant Memory Art that continues to resonate today.

This groundbreaking work delves into the intricate relationship between visual aesthetics, stylistic choices, and the authorized content of early modern British books. By employing mnemotechnic cultural commonplaces, the author sheds light on the ways in which these texts were designed to engage readers on multiple levels, including cognitive, emotional, and spiritual dimensions. The book offers a rich and nuanced analysis of the various techniques and strategies employed by printers and authors to convey their messages and shape public opinion during this pivotal period in English history.

Furthermore, the author explores the broader cultural and social implications of the Protestant Memory Art. By examining the ways in which these books were used to propagate religious beliefs, promote national identity, and shape public discourse, the book offers a valuable insight into the complex interplay between religion, politics, and culture in early modern Britain. The book's interdisciplinary approach, drawing on insights from history, literature, and cultural studies, makes it accessible to a wide range of scholars and readers interested in the history of print culture, religious reform, and the development of early modern Britain.

In conclusion, this groundbreaking work is a significant contribution to the field of early modern studies. By exploring the use of mnemotechnic cultural commonplaces to account for the visual aesthetics, stylistic choices, and authorized content of early modern British books, the author offers a fresh and innovative perspective on this important period in history. The book's interdisciplinary approach, rich analysis, and valuable insights make it a must-read for scholars and enthusiasts alike.

Weight: 390g
Dimension: 152 x 230 x 13 (mm)
ISBN-13: 9781032223988